The entrance of the gentlemen transferred Miss Cecilia Webberly, and of
course her guests, from the drawing-room to the music saloon. Here again
her fine voice, like her fine person, was spoiled by affectation, and by
an attempt at displaying a taste, of which nature had denied her mind
any just perceptions. She had acquired from her master a would-be
expression, which consisted of a regular alternation of piano and forte,
as completely distinct as the black and white squares of a chess board,
with corresponding movements of her eyes and shoulders; the _tout
ensemble_ seeming to the hearer like a succession of unprepared screams,
neither leaving him the peace of a monotonous repose, nor affording him
the charm of variety. "By heavens, I would as soon be shut up in a room
with a trumpeter; she has voice enough to blow a man's brains out!" said
young Mr. Thornbull to Mr. Temple, while his ears yet tingled with
Cecilia's last shout. "I am sure Miss Wildenheim sings in a very
different manner." "I am not sure," replied his reverend auditor,
smiling, "that she sings at all. If she does, no doubt her judgment is
as correct in music as in every thing else;--however, let us see:"--and
walking up to Mrs. Sullivan, they begged of her to procure them a
specimen of Miss Wildenheim's musical abilities. Adelaide complied with
a look and a curtsy, that bespoke the pardon of her imperfections, and
which, strange to say, procured a temporary absolution for her charms,
even from those to whom they were most obnoxious.
The young man was too much engaged in watching the playful variety of
her countenance when she sung (for she never looked half so charming as
when singing), to criticise her performance, but took for granted it
was divine, and so must
"Those who were there, and those who were not."
For though it is easy to exhibit deformity, it is impossible to describe
the nicely adjusted balance of opposite beauties, which constitutes
perfection: more especially in an art, that is often most felt when
least understood, and whose evanescent charms are passing for ever away,
whilst the mind is yet revelling in a consciousness of their existence!
When the usual routine of complimenting had been gone through by the
rest of the company, and Adelaide was disengaged, Mr. Temple, after
praising her performance, said, "Notwithstanding your delightful
singing, I must say, I think the best days of music are past." The
lovely songstress, casting her eyes on Selina and thereby applying her
words to the beautiful girl's bewitching figure, replied, "I partly
agree with you, my dear sir.--'When music, heavenly maid, was young,'
perhaps her wild graces were more captivating than her mature
elegance."--"Your simile is just, and well applied. Music certainly now
feels her decay, and seeks to hide her faded charms by profuse
ornament."
Public-domain text, read in full here on John Shaqi.
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