Manners, Customs, and Dress During the Middle Ages and During the Renaissance PeriodJacob, P. L.
History
Manners, Customs, and Dress During the Middle Ages and During the Renaissance Period
Jacob, P. L.
Clothing and dress; Manners and customs; Middle Ages; Renaissance
Under the government of Charlemagne, the private life of his subjects
seems to have been less rough and coarse, although they did not entirely
give up their turbulent pleasures. Science and letters, for a long time
buried in monasteries, reappeared like beautiful exiles at the imperial
court, and social life thereby gained a little charm and softness.
Charlemagne had created in his palace, under the direction of Alcuin, a
sort of academy called the "School of the Palace," which followed him
everywhere. The intellectual exercises of this school generally brought
together all the members of the imperial family, as well as all the
persons of the household. Charlemagne, in fact, was himself one of the
most attentive followers of the lessons given by Alcuin. He was indeed the
principal interlocutor and discourser at the discussions, which were on
all subjects, religions, literary, and philosophical.
[Illustration: Fig. 44.--Costumes of the Nobility from the Seventh to the
Ninth Centuries, from Documents gathered by H. de Vielcastel from the
great Libraries of Europe.]
Charlemagne took as much pains with the administration of his palace as he
did with that of his States. In his "Capitulaires," a work he wrote on
legislature, we find him descending to the minutest details in that
respect. For instance, he not only interested himself in his warlike and
hunting equipages, but also in his kitchen and pleasure gardens. He
insisted upon knowing every year the number of his oxen, horses, and
goats; he calculated the produce of the sale of fruits gathered in his
orchards, which were not required for the use of his house; he had a
return of the number of fish caught in his ponds; he pointed out the
shrubs best calculated for ornamenting his garden, and the vegetables
which were required for his table, &c.
The Emperor generally assumed the greatest simplicity in his dress. His
daily attire consisted of a linen shirt and drawers, and a woollen tunic
fastened with a silk belt. Over this tunic he threw a cloak of blue stuff,
very long behind and before, but very short on each side, thus giving
freedom to his arms to use his sword, which he always wore. On his feet he
wore bands of stuffs of various colours, crossed over one another, and
covering his legs also. In winter, when he travelled or hunted on
horseback, he threw over his shoulders a covering of otter or sheepskin.
The changes in fashion which the custom of the times necessitated, but to
which he would never submit personally, induced him to issue several
strenuous orders, which, however, in reality had hardly any effect.
Public-domain text, read in full here on John Shaqi.
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