Manual of Egyptian Archaeology and Guide to the Study of Antiquities in EgyptMaspero, G. (Gaston)
History
Manual of Egyptian Archaeology and Guide to the Study of Antiquities in Egypt
Maspero, G. (Gaston)
Art -- Egypt; Egypt -- Antiquities
than that of the main excavation, are unequally distributed to right and
left of the peristyle. The whole excavation measures 180 feet from the
doorway to the end of the sanctuary. The small speos of Hathor, about a
hundred paces to the northward, is of smaller dimensions. The façade is
adorned with six standing colossi, four representing Rameses II., and two
his wife, Nefertari. The peristyle and the crypts are lacking (fig. 91),
and the small chambers are placed at either end of the transverse passage,
instead of being parallel with the sanctuary. The hypostyle hall, however,
is supported by six Hathor-headed pillars. Where space permitted, the rock-
cut temple was but partly excavated in the cliff, the forepart being
constructed outside with blocks cut and dressed, and becoming half grotto,
half building. In the hemi-speos at Derr, the peristyle is external to the
cliff; at Beit el Wally, the pylon and court are built; at Gerf Husein and
Wady Sabûah, pylon, court, and hypostyle hall are all outside the mountain,
The most celebrated and original hemi-speos is that built by Queen
Hatshepsût, at Deir el Baharî, in the Theban necropolis (fig. 92),[19] The
sanctuary and chapels which, as usual, accompany it, were cut about 100 ft.
above the level of the valley. In order to arrive at that height, slopes
were made and terraces laid out according to a plan which was not
understood until the site was thoroughly excavated.
Between the hemi-speos and the isolated temple, the Egyptians created yet
another variety, namely, the built temple backed by, but not carried into,
the cliff. The temple of the sphinx at Gizeh, and the temple of Seti I. at
Abydos, may be cited as two good examples. I have already described the
former; the area of the latter (fig. 93) was cleared in a narrow and
shallow belt of sand, which here divides the plain from the desert. It was
sunk up to the roof, the tops of the walls but just showing above the level
of the ground. The staircase which led up to the terraced roof led also to
the top of the hill. The front, which stood completely out, seemed in
nowise extraordinary. It was approached by two pylons, two courts, and a
shallow portico supported on square pillars. The unusual part of the
building only began beyond this point. First, there were two hypostyle
halls instead of one. These are separated by a wall with seven doorways.
There is no nave, and the sanctuary opens direct from the second hall.
This, as usual, consists of an oblong chamber with a door at each end; but
the rooms by which it is usually surrounded are here placed side by side in
a line, two to the right and four to the left; further, they are covered by
"corbelled" vaults, and are lighted only from the doors. Behind the
sanctuary are further novelties. Another hypostyle hall (K) abuts on the
end wall, and its dependencies are unequally distributed to right and left.
As if this were not enough, the architect also constructed, to the left of
Public-domain text, read in full here on John Shaqi.
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