Proust, Marcel, 1871-1922 -- Criticism and interpretation
And, suddenly, the rumble of an earthly car sounded and my hostess and
the popular author came in and tea was a weariness, for Tante Léonie—we
all have our Tantes Léonie—had entered into my knowledge, and the Lady
of the Cattleyas was just beginning to cause Swann, whom I already
loved, to suffer after the way of all men who want anything very badly.
We never mentioned the shabby, black book I had put down, but began
to discuss, in this Kensington drawing-room, Freud, much as people
discussed music in the drawing-room of Mme. Verdurin in Paris, and in
very much the same style as if Madame Odette de Crécy had taken a hand,
and Swann, blinded by love, had listened to her.
But I—I had become acquainted with Proust and had gained a world—one of
the worlds in which, through a book, we can go to live awhile whenever
we choose.
Proust! What is Proust? This is the cry of the Carping Uninitiated
among us. To such persons, constitutionally unwilling to be instructed,
one replies that Proust is a fashion—a disease—and that a Proustian,
so-called, is an Opium-Eater. But, to those who know him and love him,
he is a wise and cunning Prospero whose wand is style, and Combray an
enchanted island—Ferdinand, not much Miranda, but Caliban, drunken
sailors and all.
The Opium Trance, indeed, offers some parallel. Dr. Hochst tells us
that the wily subconsciousness, at odds with its earthly environment,
is able to invoke and maintain an attitude of benign stupor towards
the universe, holding it, as it were, at arm’s length, able to subsist
in tranquil abstraction from chill and hateful circumstance. And one
can easily imagine some triply disillusioned soul, rebuffed of love
and ambition and the fount of life itself, entering on a course of
the Master, content to live, lullabyed by the slight movement as of
flickering woodland leaves, warmed by the soft light that falls on
grey cathedral walls and white, dusty roads, quietly appreciative of
the Master’s passionless, infallible display of the complications and
unconscious betrayals of their ego by Françoise and Tante Léonie,
Odette and the Duchess; intrigued by his fine sense of social values
shown by the apt posing of the social Inferiorities of the Verdurin
_ménage_ in Paris against the ineffable Aristocracies ensconced in
their old château, Guermantes Way—and so on, through terms of months or
even years, till the stupor, benign in character, ends at last in the
ordinary manner, the patient dying, still _en plein Proust_, with,
perhaps, a volume or two unread, to the good, for there are, or are to
be, a good many.
Public-domain text, read in full here on John Shaqi.
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