Margarita's Soul: The Romantic Recollections of a Man of FiftyBacon, Josephine Daskam
General
Margarita's Soul: The Romantic Recollections of a Man of Fifty
Bacon, Josephine Daskam
Fiction
With Kitchener (not of Khartoum, then!) curled at the foot of my bed
in a brand new collar, I went to sleep, woke early, and took the first
train to Stratford to say good-bye to my mother and receive her
congratulations on my legacy.
Everything was unchanged in the neat little house: only old Jeanne in
her bed in a wonderful nightcap marked the visit as different from any
other. Years had ceased to leave any mark on my mother since her hair
had turned grey, and I might have been a collegian again as I kissed
her.
What extraordinary creatures women are! She knew inside of ten
minutes, I am sure, as well as Sarah Bradley had known, how matters
stood with me, and whenever I spoke of Margarita an inscrutable look
was in her eye and she stroked my arm in a delicate, mute sympathy.
Nor did she refer to my children any more or her hopes that I would
_ranger_ myself and settle down. If she sighed a little at the news of
my projected _wander jahr_, she did not beg me to set any term for it,
and cheerfully congratulated herself upon my known faithfulness in the
matter of correspondence. The tact of the woman!
She herself cooked our simple dinner to Jeanne's voluble accompaniment
of regret: the chicken from her own brood, the salad from her garden,
the delicious pastry that her own hands had put into the oven. After
dinner, during which we drank Jeanne's health and took her a glass of
the wine I always brought with me for the stocking of her
unpretentious cellar (the neighbours had never been able to regard
this addition to my mother's table without suspicion and regret) my
father's favourite brand of cigars was produced and I dutifully smoked
one. I had not inherited his taste in this instance, but for years I
had respectfully made this filial sacrifice and my mother would have
been seriously hurt had I foregone it.
We talked of anything but what was in our minds: the wonderful late
planting of peas; the beauties of Kitchener, who was formally
introduced to Jeanne and listened with perfect good breeding to a long
account (in French) of the departed family poodle; the kindness of the
old parish priest to Jeanne; the war-scare in the East (my mother
religiously took in the London Times and watched Russia with unceasing
vigilance) the shocking price of meat. Later she brought out my old
violin and I played all her favourites while she accompanied me on the
little cottage piano my father had bought for her when they began
life together. If a tear dropped now and then on the yellow keys,
neither of us took it too seriously, and it was a pleasant, soothing
evening on the whole. My nerves relaxed unconsciously, and Jeanne's
wild applause as one after another of her particular tunes rang out
(_Parlons-nous de lui, Grandmere, Sous les Tilleuls_ and _Je sais
bien, mon amour_) gave me an absurd thrill of musicianly vanity.
Public-domain text, read in full here on John Shaqi.
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