From the veranda and the crest of the roof, long sprays of dazzling
bloom swept voluptuously to the sky. In the blushing hearts of myriads
of buds and blossoms, the sun whispered each day his rapturous secrets.
Wonderful from its first hour of triumph until its last pale,
dilapidated petals have fallen to the ground--a moral to its transient
magnificence--this rose is tragic.
It seems always the glorious prototype of Mariposilla, who ever stole
its fickle lights and shades. As I watched, through those eventful
weeks, the marvelous unfolding of bud to flower and child to maiden, I
was never able to separate them in my thoughts. Their analogy was
captivating.
I have already said that I learned instinctively to watch for the girl's
mood in the complexion of the rose. When the edges of its petals burned
with fire, I knew that Mariposilla, too, glowed with hope and ecstasy.
When the fog smote sullenly the golden heart of the Ophir, I felt
without looking that the girl, too, was pale, tortured with jealousy,
and indefinite forebodings. Thus for me there will always remain the
fancy that between this rose and the Spanish child there existed a
kinship--a subtile sympathy, that each unconsciously felt when the other
was near.
Looking back over those happy days, they seem fraught with no ordinary
conditions. Unconsciously all took part in the several acts of a
realistic drama.
I see now, as I could not then see, the innumerable cues, the important
by-play and scenic situations, which eventually led up to an inevitable
climax.
As the weeks glided away, I no longer doubted Sidney Sanderson's love
for Mariposilla. Had there been a sign of opposition on the part of his
mother, I would have warned the Doña Maria. But, to the contrary, Mrs.
Sanderson increased her affection daily for her pretty plaything; often
alluding to the girl's beneficial influence upon her son.
"The scamp is head and ears in love!" she said one day. "Just look at
him. I should die of rage and jealousy if I didn't adore his sweetheart
myself," she confided.
Mariposilla and Sidney were at the far end of the veranda, oblivious to
all but each other.
The woman then went as far as to intimate that a few years in a
fashionable New York school would do all that was necessary for
Mariposilla.
"Beauty such as hers would be ruined by rigorous education. Fortunately,
Sid hates wise women. Imagine Mariposilla developing the occult
transitions of theosophy. Come here, you pretty butterfly!" she cried.
"Sid is a greedy boy to keep you away so long. Go fetch the guitar; I am
just in the humor for music."
Thus the woman countenanced the wooing, petting, and enriching with
gifts the happy child, while she silenced my own doubts and those of the
Doña Maria.
Public-domain text, read in full here on John Shaqi.
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