In our competition for prizes, the greater number of “extremely well”
depended more on industry than proficiency, and I was diligent and
laboured at my oar; so one Prize Day the Silver Medal for Music was
awarded to me. When I look back on this startling incident, I blush to
confess that I attribute this decoration to the over-indulgence of our
little music mistress; but like many other _décorées_ I felt very proud
of the unmerited honour.
My dancing mistress, Madame Michau, had (if I may be allowed to say so)
better reason to be satisfied with me; for, with the exception of my
dear friend and namesake, Mary Broadwood, I was the best dancer in the
school, and my teacher was never tired of instructing her two model
pupils in boleros, cachucas, tambourine dances and the like, At that
time, dancing in Society was reckoned an accomplishment, and upheld as
an art, and it was not the fashion to slope and lounge through what is
termed in modern slang, “Square Dances.”
I can scarcely imagine a prettier sight than that presented by those
frequent children’s balls, given by the King and Queen at the Pavilion
at Brighton. The building, as we all know, was a ridiculous Cockney
erection of a Russo-Chinese character, still, few scenes could have been
prettier than the interior of the principal room when filled by groups
of gaily-dressed and, for the most part, lovely children; for I agree
with an R.A. of my acquaintance who said that there is nothing on earth
to compare with the beauty of a little “English Swell.”
Now, while I am treating of Monsieur and Madame Michau, I cannot omit to
insert an anecdote of the former. Some years after I had left school,
during a short stay in Brighton, I paid a visit to the dear old couple,
from whom I received an enthusiastic welcome. “Enchanté!” said Monsieur,
“de vous revoir, Mademoiselle—c’est à dire, sans doute, Madame?” I
replied in a tone of mock melancholy: “Hélas non! Monsieur Michau,
toujours Mademoiselle.” The good old man gazed at me with pity bordering
on contempt, then, shrugging his shoulders, exclaimed in a dejected,
though somewhat sarcastic, tone, “Ah! Mademoiselle, si ce n’était que
votre danse....”
[Sidenote: “HAVE THE HONOUR OF DANCING WITH ME?”]
Public-domain text, read in full here on John Shaqi.
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