Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
MAVOSKY _is about forty, tall, with large eyes and a pointed beard.
There is a slight Russian accent in his speech and his manners have
the studied spontaneity of a professional foreigner exploiting
a new field. As he continues to watch_ PATRICIA _with a cynical
smile, she leaves the group unobserved by the others and moves
towards the low, deep chair near the fireplace_.
PATRICIA _has the large features of a stage-beauty, which enhance
her appearance before the footlights. Her hair is parted and coiled
low on her neck. She is elegantly gowned, and carries a long,
elaborate scarf which is hung across her back and held by each arm.
She uses this continually to increase her instinctive plasticity.
As she turns there is a serious expression upon her face, as
though, for once she had been her true self._
PATRICIA
(_Almost inaudibly_)
George Silverton. Poor George!
(_She seems to feel_ MAVOSKY’S _eyes; but again mistress
of herself, turns, and smiles invitingly. Then she drapes
herself artistically in the chair._ MAVOSKY _comes with
the plate of macaroons, which she declines with a pretty
gesture. He replaces them on the table, and, seeing no one
is watching, returns to her, speaking softly as the music
continues._)
MAVOSKY
_Quel charme!_
PATRICIA
The gown or the pose?
MAVOSKY
Mademoiselle Tenner, in _your_ profession they are inseparable.
PATRICIA
We actresses belong only to each moment we act. It is _your_
profession which fastens us as we should be in the memory of others.
MAVOSKY
Perhaps that is why my portraits please.
PATRICIA
(_Bantering charmingly_)
And you only take celebrities, Monsieur Mavosky.
MAVOSKY
I wish to go to posterity on the hem of their garments.
PATRICIA
(_Smiling_)
Some day I may wear a gown that pleases you, eh?
(_He starts to answer, but the music stops and the others
applaud in perfect taste. He offers his hand in parting, as
she seems to invite it._)
MAVOSKY
_Au revoir._
PATRICIA
(_With a fascinating smile_)
_Déjà?_
(_He bows far over her hand and their eyes meet with
interest. As he turns away, while the others come into the
room_, PATRICIA _gives a secret smile of satisfaction,
as though she had obtained her intention. Then she sighs
wearily, bored, as she glances at the others._
MRS. FROWDE, _the hostess is about fifty, looking forty;
rather large and as self-contained as possible in her
loose black tea-gown. She is a nervous woman with an
apparent seriousness in her social undertakings. Her eyes
are continually criticizing and her hands correcting. She
has a gracious voice, and towards_ PATRICIA, _at least, a
possessive protectiveness_.
THE BROWN ONE _has a good profile from her chin up, but
otherwise, in spite of lacing, is stout. Her tan gown makes
up in elegance what it lacks in outline._
Public-domain text, read in full here on John Shaqi.
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