Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary lifeMiddleton, George
General
Masks, with Jim's beast, Tides, Among the lions, The reason, The house: one act plays of contemporary life
Middleton, George
American drama -- 20th century; One-act plays, American
No; my “art” wasn’t big enough to succeed by itself alone. I had to
play the game--get influence--(_He protests._) Oh, I know myself,
George; I was cruel to you and all the others. Some day, just to
square myself in my own eyes, I’ll tell people like these here
about my life and how I have always used them to get what I wanted.
SILVERTON
(_Surprised_)
What is the matter, Pat? You’re not yourself.
PATRICIA
(_Smiling_)
I’m having a rush of sincerity to my lips.
SILVERTON
(_Looking over toward the others_)
I wonder what _they_ would say if it slipped out?
PATRICIA
Perhaps they’d say it was “temperament.” I’ve affected it so much I
actually believe I’ve got it.
MRS. FROWDE
(_Laughing with others_)
Mavosky is _so_ clever; he said in America passion was only
sentiment waving a red flag!
THE GREEN ONE
He told me art had no morals and I understood him. He’s so subtle.
SILVERTON
(_To_ PATRICIA)
If I could but make phrases.
PATRICIA
(_Rising, wearily_)
I don’t have to; I smile them.
MRS. FROWDE
(_Coming down anxiously_)
Surely, you’re not going yet, Patricia?
THE GREEN ONE
(_To_ THE BROWN ONE)
She calls her Patricia!
MRS. FROWDE
(_Offering_ PATRICIA _a cup_)
I’ve fixed it the way you like it--no lemon.
PATRICIA
(_Declining_)
You are so thoughtful, dear Emily.
THE GREEN ONE
(_To_ THE BROWN ONE)
Emily!
THE BLUE ONE
(_Coming to_ PATRICIA)
I’m just dying to see your Rosalind.
PATRICIA
(_Beautifully covering with an air of sincerity her mockery which_
SILVERTON _alone detects_)
You may before you do.
THE GREEN ONE
(_In surprise_)
But the papers say----
PATRICIA
You mustn’t believe all you see _there_. My press agent has
imagination.
THE BLUE ONE
(_Cozily to the others_)
Isn’t it splendid to be taken into her confidence.
(PATRICIA _darts a humorous glance at_ SILVERTON.)
THE BROWN ONE
I should think you’d be tired going out so much.
PATRICIA
Mrs. Frowde’s friends are always interesting and proper--a rare
combination. (_Smiling._) Her idea of a tragedy would be a social
mishap--that way.
MRS. FROWDE
(_Protectively_)
I warn her against overtaxing herself--and with that trying part to
play every night.
PATRICIA
Whenever it gets trying to me I think of the audience.
MRS. FROWDE
(_As the others laugh_)
I always said one must have a sense of humor off the stage to play
the parts you do.
PATRICIA
I get my inspiration from my friends; a cup of tea, and brilliant
conversation before the horrid time to go and “make up.”
THE GREEN ONE
Doesn’t all the make-up hurt the complexion?
PATRICIA
(_Sweetly_)
I always use cold cream first--don’t you?
(_An abrupt halt in the laughter comes as_ MISS EVA STANNARD
_enters and pauses momentarily in the doorway_.
MISS STANNARD _is about twenty-nine, tall, vibrant and almost
imperious in bearing. Her forehead is high, her eyes keen and
her mouth thin and tense. She is gowned in gray._
Public-domain text, read in full here on John Shaqi.
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