New England -- Juvenile fiction; United States -- History -- Colonial period, ca. 1600-1775 -- Juvenile fiction
As she looked down the hillside toward the shining bay she saw suddenly
a white sail rise above the headland and, standing breathless with hope
and fear, she watched a great vessel round the point, turn slowly and,
with all its high-towering sails set to catch the light wind, stand in
toward the wharf. Alisoun could not mistake that tall bow and broad,
heavy stern. It was the _Margeret_, one of her father’s ships, home from
the West Indies and bringing Gilbert Sheffield to be another witness of
what she must do that day.
When they reached the meeting-house, the doors were only just being
unlocked, but already the space at the foot of the steps was packed and
breathless. Their little party would never have been able to come near
the stairs leading up to the entrance had not Margeret, who was esteemed
as a great person in the village, been granted room by those who stood
in the way. By squeezing and slipping in and out, the three managed
finally to make their way close up to the foot of the stairs. Above them
stood the magistrates, the chief men of the church and a stranger, all
waiting for the doors to open. The newcomer was a tall man with greyish
hair, stooped shoulders and a deeply lined face; he wore a rusty black
coat whose pockets bulged with papers. This, as every one knew, was the
great Master Cotton Mather, the famous minister, who knew more of
witches and their evil ways than did any other living man. It was a
great honour that he had come to Hopewell to save them in their danger
and to help in the trial and conviction of their witch.
The chief magistrate had, with some difficulty, drawn the big iron key
from his coat-tail pocket and was inserting it in the lock. Mother
Garford, weeping and trembling was being half led, half dragged up the
stairs by a self-important bailiff. Every head turned in startled
surprise when, of a sudden, a voice cried to the magistrate to stop.
Margeret Bardwell had pushed her way through the crowd and was standing
on the stairs below them. She was speaking in a clear, steady voice that
carried to the ears of all the waiting people.
“Hold,” she cried. “Before we desecrate our meeting house with the trial
of an innocent old woman who is no more of a witch than you or I, you
must hear what we three Bardwells have to say. I would that there were
four of us, and that my husband, who has gone to sea, were here to stand
by me, but as it is you must pause in your folly and listen to a woman.”
“What—what—what?” exclaimed the magistrate. “Who is it dares to speak
thus? Oh—Mistress Bardwell, perhaps I heard amiss. It cannot be that you
defend this woman!”
Wonder and consternation became visible on every upturned face, only
Master Cotton Mather remained unmoved.
“It is well known,” he pronounced in his slow, precise tones, “that in
many cases witches and sorcerers are able to bewitch others into
speaking in their favour against all sense and reason. So it must be
with this poor lady, but yet we will hear her.”
Public-domain text, read in full here on John Shaqi.
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