Nick went up the steps behind the screen. It seemed cold in the room; he
had not noticed it before. Yet there were sweat-drops upon his forehead.
He felt as if he were a jackanapes he had seen once at the Stratford
fair, which wore a crimson jerkin and a cap. The man who had the
jackanapes played upon a pipe and a tabor; and when he said, “Dance!”
the jackanapes danced, for it was sorely afraid of the man. Yet when
Nick looked around and did not see the master-player anywhere in the
hall, he felt exceedingly lonely all at once without him, though he both
feared and hated him.
There still was a shuffling of feet and a low talking; but soon it
became very quiet, and they all seemed to be waiting for him to begin.
He did not care, but supposed he might as well: what else could he do?
There was a clock somewhere ticking quickly with its sharp, metallic
ring. As he listened, lonely, his heart cried out for home. In his
fancy the wind seemed rippling over the Avon, and the elm-leaves rustled
like rain upon the roof above his bed. There were red and white
wild-roses in the hedge, and in the air a smell of clover and of
new-mown hay. The mowers would be working in the clover in the
moonlight. He could almost see the sweep of the shining scythes, and
hear the chink-a-chank, chink-a-chank of the whetstone on the long,
curving blades. Chink-a-chank, chink-a-chank—’twas but the clock, and
he in London town.
Carew, sitting there behind the carven prompter’s-screen, put down his
head between his hands and listened. There were murmurings a little
while, then silence. Would the boy never begin? He pressed his knuckles
into his temples and waited. Bow Bells rang out the hour; but the room
was as still as a deep sleep. Would the boy never begin?
The precentor sniffed. It was a contemptuous, incredulous sniff. Carew
looked up—his lips white, a fierce red spot in each cheek. He was
talking to himself. “By the whistle of the Lord High Admiral!” he
said—but there he stopped and held his breath. Nick was singing.
Only the old madrigal, with its half-forgotten words that other
generations sang before they fell asleep. How queer it sounded there! It
was a very simple tune, too; yet, as he sang, the old precentor started
from his chair and pressed his wrinkled hands together against his
breast. He quite forgot the sneer upon his face, and it went fading out
like breath from a frosty pane.
He had twelve boys who could sing a hundred songs at sight from
unfamiliar notes; who kept the beat and marked the time as if their
throats were pendulums; could syncopate and floriate as readily as
breathe. And this was only a common country song.
Public-domain text, read in full here on John Shaqi.
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