Another dream invites you; but it must be sketched with more reticence,
and this for two reasons. In the first place, the subject has become
identified with that portion of theatrical entertainments usually found
to be the least soporific. In the second place, if your imagination were
encouraged to free range hereupon, you might be foolish enough to
connect its poetic motion and its charm with certain souvenirs of a
certain fair friend of yours, whom it were wiser to forget if you desire
to profit by this Mandragorean system. Briefly, then, I commend a
Ballet, as not altogether unworthy of trial--but not, be it observed,
that thing of gas lamps, and pink tights, and leers, and _poses
plastiques_, over which young America goes into raptures. By no means.
Picture to yourself a smooth sward beneath clustered pines, a tender
moonlight, and Nymphs--not semi-nude as is the fashion of our day,
neither affecting the contortions of the gymnast as in our modern
caricature of dancing--but robed in swansdown, with nodding plumes and
tasseled fuschias pendent, tripping it, if you will, on "light fantastic
toe," yet through stately and solemn measures. You remember Giulio
Romano's dance of Apollo and the Muses in the Pitti at Florence? Take
that for your model; then place the figures to your liking. Nor forget
to add an orchestra of Æolian harps. Let them hang among the
pine-branches, and sigh forth Weber's Last Waltz, just to set the groups
in motion. Then fail not in your breathings, O soft night-wind; foot it
daintily, ye wildwood Nymphs--so may sleep steal gently upon the
restless one, while yet his ear and eye are unsated!
Another dream: blue water again, though, this time, with a golden beach.
It is calm; but the surf rolls in languidly, with low murmurous sound,
as it will roll, be the sea's surface never so smooth, beyond the
involuntary breakers. What graceful bends and curves are marked, for an
instant, with frothy pencil, upon the shining sands! How they sparkle
with evanescent light! How soon the tiny bubbles disappear! But you have
watched all this, many and many a time; and stale indeed hereon were
description and moralizing! Why, then, this present allusion? What is
there in it, tending to lull the acuter sensibilities? What offers it of
gently-soothing exercise to the overwrought and throbbing brain? This is
the reply. Popular belief gives to every ninth or tenth wave, tumbling
in upon the shore, supremacy over its fellows. It swells up into fuller
volume. It sweeps landward with a more majestic force. This is the
story; but I would have you test its correctness. Is it the ninth, or
the tenth? So, lie down yonder upon the mass of dry sea-weed piled
against the rocks, and count patiently a dozen, a score, a hundred, a
thousand waves as they come in. You shall tell me, to-morrow morning,
whether the ninth have it, or the tenth--whether there be any regularity
at all.
Public-domain text, read in full here on John Shaqi.
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