But these things are only Mr Arnold's way. I have never been able to
satisfy myself whether they were deliberate paradoxes, or sincere and
rather pathetic paralogisms. For instance, did he really think that
the _Revue des Deux Mondes_, an organ of "dukes, dunces, and
_devotes_," as it used to be called even in those days by the
wicked knowing ones, a nursing mother of Academies certainly, and a
most respectable periodical in all ways--that this good _Revue_
actually "had for its main function to understand and utter the best
that is known and thought in the world," absolutely existed as an
organ for "the free play of mind"? I should be disposed to think that
the truer explanation of such things is that they were neither quite
paradoxes nor quite paralogisms; but the offspring of an innocent
willingness to believe what he wished, and of an almost equally
innocent desire to provoke the adversary. Unless (as unluckily they
sometimes are) they be taken at the foot of the letter, they can do no
harm, and their very piquancy helps the rest to do a great deal of
good.
For there can be no doubt that in the main contention of his
manifesto, as of his book, Mr Arnold was absolutely right. It was true
that England, save for spasmodic and very partial appearances of it in
a few of her great men of letters--Ben Jonson, Dryden, Addison,
Johnson--had been wonderfully deficient in criticism up to the end of
the eighteenth century; and that though in the early nineteenth she
had produced one great philosophical critic, another even greater on
the purely literary side, and a third of unique appreciative sympathy,
in Coleridge, Hazlitt, and Lamb, she had not followed these up, and
had, even in them, shown certain critical limitations. It was true
that though the Germans had little and the French nothing to teach us
in range, both had much to teach us in thoroughness, method,
_style_ of criticism. And it was truest of all (though Mr Arnold,
who did not like the historic estimate, would have admitted this with
a certain grudge) that the time imperatively demanded a thorough
"stock-taking" of our own literature in the light and with the help of
others.
Public-domain text, read in full here on John Shaqi.
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