McClure's Magazine, Vol. 1, No. 6, November 1893Various
General
McClure's Magazine, Vol. 1, No. 6, November 1893
Various
American literature -- Periodicals; Literature -- Periodicals
She values the thought that prompts the giving, rather than the gift
itself. She never forgets even the smallest act of kindness that is
done for her sake. And she is always doing kindnesses for others. I
have heard from the Welsh folk many tales of her generous charities.
And to her friends she is the most open-handed of women. There was one
dank, drizzly day while I was at Craig-y-Nos. To the men this did not
matter. The wet did not interfere with their projected amusements.
But every lady wore some precious jewel which Patti had given her
that morning--a ring, a brooch, a bracelet, as the case might be. For
the generous creature thought her fair friends would be disappointed
because they could not get out of doors that day. How could she know
that every one in the castle welcomed the rain because it meant a few
hours more with Patti?
The “surprise” she had spoken of was soon apparent. The ladies came
trooping into the drawing-room attired in the gowns and jewels of
Patti’s operatic rôles. Patti herself came last, in “Leonora’s” white
and jewels. What a dinner party we had that night--we men, in the prim
black and white of “evening dress,” sitting there with “Leonora,” and
“Desdemona,” and “Marguerite,” and “Rachel,” and “Lucia,” and “Carmen,”
and “Dinorah,” and I know not how many more! Nobody but Patti would
have thought of such merry masquerading, or, having thought of it,
would have gone to the trouble of providing it.
Of course, we talked of her favorite characters in opera, and then
of singers she has known. She said it would give her real pleasure
to hear Mario and Grisi again, or, coming to later days, Scalchi and
Annie Louise Cary. The latter being an American and a friend, I was
glad to hear this appreciation of her from the Queen of Song. “Cary
and Scalchi were the two greatest contraltos I have ever known; and
I have sung with both of them. I remember Annie Louise Cary as a
superb artist, and a sweet and noble woman.” I said “Hear, hear,” in
the parliamentary manner, and then Patti added: “Now we will go into
the theatre again. There is to be another entertainment.” It was, of
all unexpected things, a magic-lantern show. Patti’s magic-lantern is
like everything else at Craig-y-Nos, from her piano to her pet parrot,
the only one of its kind. It is capable of giving, with all sorts of
“mechanical effects,” a two-hours’ entertainment every night for two
months without repeating a scene. Patti invited me to sit beside her
and watch the dissolving views. It seemed to me that it would be like
this to sit by the queen during a “state performance” at Windsor.
Here was Patti Imperatrice, dressed like a queen, wearing a crown of
diamonds, and attended by her retinue of brilliantly attired women and
attentive gentlemen of the court. And it was so like her to cause the
entertainment to begin with a series of American views, and to hum
softly a verse of “Home, Sweet Home,” as we looked out upon New York
Public-domain text, read in full here on John Shaqi.
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