McClure's Magazine, Vol. XXXI, September 1908, No. 5Various
History
McClure's Magazine, Vol. XXXI, September 1908, No. 5
Various
American literature -- Periodicals; Literature -- Periodicals
near the others, but only ventured a smile where they laughed.
Yet he with the rest, as they trooped to the train, was conscious of a
lift to his spirits. The tour was a turning the back upon the old and
known. It had the charm of beginnings; it opened to life, with this
new combination, new possibilities. Hard work and wearing travel were a
certainty in the prospect, but it showed nevertheless like a holiday,
enlivened by daily change of scene, faces, food.
Beside these general justifications of a reasonable elation on
starting, there was excuse for the festive jollity which made
people turn to look after our friends as they progressed down the
platform--the stately Bronson now carrying a bulging rubber sponge-bag,
impossible to conceal--in the brilliant artistic auspices under which
these musical peregrinations were undertaken, and the discovery, now
that the artists were come together _en troupe_, that they severally
brought elements promising uncommon liveliness and fun.
* * * * *
About five years had passed since the laurel-laden return of the Duprez
Concert Company, when Marie-Aimée one morning, rather earlier than it
is customary to make a call, rang the door-bell of a certain large
impressive house.
Whether the explanations were hurry in dressing or absence of mind, she
looked, on this occasion, somewhat as if her clothes, as the saying
is, had been thrown at her. The velvet of her little bonnet needed
brushing; and her little gloves, alas, mending. She wore no veil, and
wisps of her hair had been blown on end. But this effect of disorder
culminated in her face itself, where the colors were out of their
places; her cheeks being pale, her poor small nose and her eyelids
red. She had grown stouter since our last sight of her, and on this
day was carrying herself so without pride or heed as to look fairly
round-shouldered.
As she stood waiting, she must have forgotten that she was in a public
street, or else felt bad beyond caring; two or three times she openly
mopped her eyes. When, however, she faced the tall butler who opened
the door, she appeared to have nothing worse the matter with her than a
bad head-cold. She asked if Miss Cheriton were in, gave her card, and
was shown into a vast hushed drawing-room. There, as soon as she had
been left alone, she looked at herself in the mirror; after which she
chose a seat with its back to the windows. She had occupied this but
a moment, when, lest the thoughts stealing back upon her should drive
her again to tears, she crossed over to the grand-piano glimmering in
the half-light with liquid reflections of gilt moldings, brocade, and
palms. She lifted the lid to peer at the name of the maker, and tried
its tone with a scarce audible chord. Then she took up piece after
piece of the music in the rack, questioning it as to Miss Cheriton's
title to her high reputation as an amateur pianist.
Public-domain text, read in full here on John Shaqi.
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