Medieval rhetoric and poetic to 1400 : $b Interpreted from representative worksBaldwin, Charles Sears
History
Medieval rhetoric and poetic to 1400 : $b Interpreted from representative works
Baldwin, Charles Sears
Literature, Medieval -- History and criticism; Poetics -- History -- To 1500; Rhetoric, Medieval
The next chapter (xiv) warns against resting in the second stage.[20] To
make the pleasing of the audience an end in itself is the typical vice
of sophistic. If preaching tolerates it, “the time will come when they
will not endure sound doctrine; but after their own lusts shall they
heap to themselves teachers, having itching ears.” Augustine quotes,
not these words of St. Paul, but Jeremiah, and rises to denunciation
of mere pleasing. “Far from us be that madness.” One of Cyprian’s rare
descriptive passages is adduced to show how “the wholesomeness of
Christian preaching has recalled his diction from [sophistic] redundancy
and held it to a graver eloquence of less display.” As the ultimate
objection to the sophistic ideal is moral, so is the preacher’s ultimate
resource. Since his strength is derived from a source deeper than human
skill, his best preparation is prayer. Augustine is not above enforcing
this reminder by playing upon the words _orare_, _orator_, _oratio_.
Nevertheless human skill is to be cultivated. Prayer itself proves the
folly (xvi) of making no other preparation. He who abjures human lore of
preaching because God gives us our messages might equally well abjure
prayer because God knows us and our needs. The Pauline counsels specify
how Timothy should preach. As God heals through doctors and medicines, so
he gives the gospel to men by men and through man.
The transition (xvii) to the final task of moving men to action is
another full and explicit iteration of all three, and at the same time
a preparation for the next section on the corresponding three typical
styles. Since the subject matter of preaching is always great, at least
in implication (xviii), does it not always demand a great style? No; for
a great matter (xix) may at the time rather demand exposition; and this
in turn demands a restrained style. Again, a great matter may at the time
rather demand praise or blame; and here enters the second task of so
adapting the style as to win sympathy.
Public-domain text, read in full here on John Shaqi.
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