Melincourt : $b or, Sir Oran Haut-TonPeacock, Thomas Love
General
Melincourt : $b or, Sir Oran Haut-Ton
Peacock, Thomas Love
English fiction -- 19th century; Orangutans -- Fiction; Satire
‘Surely,’ said Mr. Feathernest one evening, ‘you will not maintain that
Chevy Chase is a finer poem than Paradise Lost?’
_Mr. Derrydown._ I do not know what you mean by a fine poem; but I will
maintain that it gives a much deeper insight into the truth of things.
_Mr. Feathernest._ I do not know what you mean by the truth of things.
_The Rev. Mr. Grovelgrub._ Define, gentlemen, define; let the one
explain what he means by a fine poem, and the other what he means by the
truth of things.
_Mr. Feathernest._ A fine poem is a luminous development of the
complicated machinery of action and passion, exalted by sublimity,
softened by pathos, irradiated with scenes of magnificence, figures of
loveliness, and characters of energy, and harmonised with infinite
variety of melodious combination.
_Lord Anophel Achthar._ Admirable!
_Miss Danaretta Contantina Pinmoney._ Admirable, indeed, my lord! (_With
a sweet smile at his Lordship, which unluckily missed fire._)
_The Rev. Mr. Grovelgrub._ Now, sir, for the truth of things.
_Mr. O’Scarum._ Troth, sir, that is the last point about which I should
expect a gentleman of your cloth to be very solicitous.
_The Rev. Mr. Grovelgrub._ I must say, sir, that is a very uncalled-for
and very illiberal observation.
_Mr. O’Scarum._ Your coat is your protection, sir.
_The Rev. Mr. Grovelgrub._ I will appeal to his lordship if——
_Mr. O’Scarum._ I shall be glad to know his lordship’s opinion.
_Lord Anophel Achthar._ Really, sir, I have no opinion on the subject.
_Mr. O’Scarum._ I am sorry for it, my lord.
_Mr. Derrydown._ The truth of things is nothing more than an exact view
of the necessary relations between object and subject, in all the modes
of reflection and sentiment which constitute the reciprocities of human
association.
_The Rev. Mr. Grovelgrub._ I must confess I do not exactly comprehend——
_Mr. Derrydown._ I will illustrate. You all know the ballad of Old Robin
Gray.
Young Jamie loved me well, and ask’d me for his bride;
But saving a crown, he had nothing else beside.
To make the crown a pound my Jamie went to sea,
And the crown and the pound they were both for me.
He had not been gone a twelvemonth and a day,
When my father broke his arm, and our cow was stolen away;
My mother she fell sick, and Jamie at the sea,
And old Robin Gray came a-courting to me.
In consequence whereof, as you all very well know, old Robin being rich,
the damsel married the aforesaid old Robin.
_The Rev. Mr. Grovelgrub._ In the heterodox kirk of the north?
_Mr. Derrydown._ Precisely. Now, in this short space, you have a more
profound view than the deepest metaphysical treatise or the most
elaborate history can give you of the counteracting power of opposite
affections, the conflict of duties and inclinations, the omnipotence of
interest, tried by the test of extremity, and the supreme and
irresistible dominion of universal moral necessity.
Public-domain text, read in full here on John Shaqi.
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