Memoirs and resolutions of Adam Graeme of Mossgray, including some chronicles of the borough of FendieOliphant, Mrs. (Margaret)
History
Memoirs and resolutions of Adam Graeme of Mossgray, including some chronicles of the borough of Fendie
Oliphant, Mrs. (Margaret)
Bildungsromans; Scotland -- History -- 19th century -- Fiction; Youth -- Scotland -- Social life and customs -- Fiction
“I don’t care about it, father,” said Hope; “it is very dreary, except
folk will just let me play my own tunes; but then there’s these awful
waltzes and things, that were never made for anything but people’s
fingers. Adelaide could play them for days, father; but they make me
dizzy; for there’s nothing but noise in them.”
“I am afraid you are quite giddy enough already, Hope,” said Mr Oswald.
“Miss Swinton says I am sensible,” said Hope, with offended dignity.
“Miss Swinton says she can trust me with the little ones better than
Miss Mansfield,--and Miss Mansfield’s seventeen!”
The father and mother laughed; but Miss Swinton’s testimony to Hope’s
good sense pleased them nevertheless.
“Adelaide is coming home in a week,” said Hope, “and she said the new
governess would be at the Mount before her. I am to go up every day,
Adelaide says, if you will let me, mother; and I would like to go
sometimes, but not so often; and I want to go to Mossgray, to see old
Mrs Mense, and the Laird; and up to Friarsford to Maggie Irving, and
down to the Waterfoot to see the Flower of Fendie; but first of all--”
“That will do, Hope,” said her mother, fearful that the interdicted name
might fall from Hope’s gay lips again; “but I think you might show us
those drawings of yours that you used to write so much about:--you can
arrange your visits to-morrow.”
“But I want to go into Fendie to-night, mother,” urged Hope, “to see--”
“We cannot part with you to-night, Hope,” said Mrs Oswald; “and now go
and bring your drawings and let your father see them.”
Hope obeyed. Mr Oswald began to walk about the room, almost inclined to
be angry with his daughter; this pertinacious attachment to the one
person in Fendie whom he tabooed, and the constant recurrence of her
name, annoyed him greatly; and the banker had a consciousness that his
wife and his son William were much more likely to submit, so far as
external action went, to his stern will, than was the much privileged
girl-daughter, who appeared fully as much inclined to sway him as he was
to sway her, and did it as effectually. The grave and painful constraint
with which William curbed a will as strong as his father’s, raised in
the banker’s mind an angry feeling of antagonism; but the frank
resistance of Hope was much less easily managed. Mr Oswald began to feel
an involuntary “_drither_” as to his success in this part of the
contest--a dubious consciousness that Hope might be too many for him.
The exhibition of drawings did not succeed. Hope perceived that there
was something wrong, and with eager girlish curiosity could not rest
till she had fathomed it. William was strangely grave and taciturn, she
thought; she seized the earliest opportunity of questioning him.
By the dining-room fireside, the brother and sister sat in the twilight
alone. Hope took advantage of the propitious moment.
“William, is there anything the matter?”
Public-domain text, read in full here on John Shaqi.
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