aphorisms that he had been collecting for years, feeling his witticisms were in vain, for she was dark as a raven and I was as gold as a sunflower. It was at the corner of the Rue Pontière that we got rid of him. Some days afterwards she sat to Manet. The pastel now hangs in the room of a friend of mine; I bought it for him. The picture of a woman one knows is never so agreeable a companion as the picture of a woman one has never seen. One's memory and the painter's vision are in conflict, and I like to think better of the long delicate nose, and the sparkling eyes, and a mouth like red fruit. The pastel once belonged to me; it used to hang in my rooms; for with that grace of mind which never left him, Manet said one day, "I always promised you a picture," and searching among the pastels that lined the wall he turned to me saying, "Now I think that this comes to you by right." When I left Paris hurriedly, and left my things to be sold, the countess came to the sale and bought her picture, and then she sold it years afterwards to a picture-dealer, tempted by the price that Manet's pictures were fetching. Hearing that it was for sale, I bought it, as I have said, for a friend. And now I have told the whole story, forgetting nothing except that it was years afterwards, when I had written "Les Confessions d'un jeune Anglais" in the _Revue Indépendante_, that Mary Laurant asked me--oh! she was very enterprising; she sent the editor of the _Revue_ to me; an appointment was made. She was wonderful in the garden. She said the moment I arrived, "Now, my dear ----, you must go," and we walked about, I listening to her aphorisms. Mary was beautiful, but she liked one to love her for her wit, to admire her wit; and when I asked her why she did not leave Evans, the great dentist, she said, "That would be a base thing to do. I content myself by deceiving him," and then--this confidence seemed to have a particular significance--"I am not a woman," she said, "that is made love to in a garden." Her garden was a nook at the fortifications, hidden among lilac bushes. She wished to show me her house, and we talked for a long time in her boudoir. But I knew she was Mallarmé's mistress at the time, so nothing came of this _caprice littéraire_. My thoughts run upon women, and why not? On what would you have them run? on copper mines? Woman is the legitimate subject of all men's thoughts. We pretend to be interested in other things. In the smoking-rooms I have listened to men talking about hunting, and I have said to myself, "Your interest is a pretence: of what woman are you thinking?" We forget women for a little while when we are thinking about art, but only for a while. The legitimate occupation of man's mind is woman; and listening to my friend who is playing music--music I do not care to hear, Brahms--I fall to thinking which of the women I have known in years past would interest me most to visit.