Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
“You are right, Antonio; I am not thinking of it to-day, but I must
consider of it so soon as I am in a condition to leave. You must see, my
friend, that, in spite of all the pain our separation will cause me, I
must make up my mind to it before long, for I am anxious to return to
Blois and reassure my family, who must feel most uncomfortable about
me.”
“Your family cannot be uncomfortable, as, in order to calm your father,
you wrote to him that your illness, having had no dangerous results, you
had proceeded to Angers to look for work.”
“It is true, but----“
“But, but,” Antonio interrupted me, “you have no good reason to offer. I
repeat, you cannot quit us. Besides,” he added, lowering his voice, “if
I told you something, I am sure you would be of my opinion.”
Antonio stopped, appeared to struggle for a moment against the desire he
felt to confide in me, then, making up his mind, said, resolutely, “Ah,
bah! as it is necessary, I cannot hesitate. You were talking just now
about paying my master. Do you know that he is, I fancy, in your debt?”
“I do not understand you.”
“Well, listen to me, my dear friend,” Antonio said, with a mysterious
air; “I will explain myself. You are not ignorant that our poor Torrini
is afflicted by a very grave malady that touches him here (and Antonio
laid his hand on his forehead); now, since you have been with us, and he
fancies he can trace some resemblance to his son, my master is
gradually losing his sorrow, and even indulges in gaiety now and then.
Yesterday, for instance, during his performance, you saw him make his
audience laugh twice or thrice, which has not occurred for a long time.
“Ah, my dear sir,” Antonio continued, growing more and more
communicative, “if you had seen him before that fatal event, when he
performed in the first theatres of Italy. What enthusiasm! what spirit!
Who could have foretold at that period that Count de”--here Antonio
checked himself--“that the celebrated Torrini would ever be reduced to
play in a barn as the rival of the lowest mountebanks--he, the
inimitable sorcerer, the honored artist, everywhere known as the
handsome, the elegant Torrini! However, it was only just; for he
eclipsed the richest professors by his luxury and distinguished manners,
and never did a performer more fully deserve legitimate applause for his
talent and address.
Public-domain text, read in full here on John Shaqi.
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