Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
“‘It is useless, my friend. I feel I am wounded to death. I have hardly
time to make a confession, for which I claim all your indulgent
friendship. Learn, then,’ he added, offering me a hand damp with death,
‘I was not unjustly insulted. I am ashamed to confess that, for a long
time, I have lived at the expense of my dupes. Aided by a fatal skill,
and still more by an instrument I invented, I daily cheated at play.’
“‘How--you, Zilbermann?’ I said, withdrawing my hand sharply.
“‘Yes, I!’ the dying man replied, seeming by a glance to supplicate my
mercy.
“‘Edmond!’ he added, collecting all his remaining strength, ‘in the name
of our old friendship do not abandon me! For the honor of my family, let
not this proof of my infamy be found here. I implore you to remove this
instrument.’ And he showed me a small box attached to his arm.
“I unfastened it, and like yourself, my boy, looked at it, without
understanding its use. Revived by a thought of his culpable passion,
Zilbermann added, with the most lively admiration,
“‘And yet see how ingenious it was. This box can be attached to the arm
without perceptibly increasing its size. Ready packed cards are put in
it beforehand; when you are going to cut, you put your hand quietly over
the cards on the table, so as to cover them completely; then you press
this spring by resting your arm gently on the table. The prepared cards
come out while a pair of pincers seize the other pack and draw it up
into the box. To-day, for the first time, the instrument failed me--the
pincers left a card on the table. My adversary----’
“Zilbermann could not complete the phrase; he had drawn his last gasp.
“Zilbermann’s confessions and death had overpowered me, and I hastened
from his room. On returning home, I began to reflect on what had
happened, and, imagining that my known intimacy with the deceased would
forbid my stay at Florence, I determined on proceeding to Naples. I took
with me the unlucky box, though not foreseeing the use I should
eventually make of it; and for a long time I forgot its existence.
However, when I turned my attention to conjuring, I thought about my
piquet trick, and the fortunate use I made of the box gained me one of
my most remarkable triumphs as professor of sleight-of-hand.”
* * * * *
At this recollection, Torrini’s eyes sparkled with unusual brilliancy,
and prepared me for an interesting anecdote. He proceeded as follows:
Public-domain text, read in full here on John Shaqi.
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