Memoirs of Robert-Houdin, ambassador, author and conjurerRobert-Houdin, Jean-Eugène
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Memoirs of Robert-Houdin, ambassador, author and conjurer
Robert-Houdin, Jean-Eugène
Magicians -- France -- Biography; Robert-Houdin, Jean-Eugène, 1805-1871
Still I did not like to speak about our separation, for the professor,
delighted with my progress and skill, could not conceive I could have
any other wish but to travel with him, and eventually become his
successor. This position would certainly have suited me in many
respects, for, as I have said, my vocation was irrevocably fixed. But,
whether new instincts were kindled in me, or that the intimacy I lived
in with Torrini had opened my eyes to the unpleasantness of such a mode
of life, I aimed at something higher than being his successor.
I had therefore made up my mind to leave him; but painful circumstances
deferred the moment of separation.
We had just arrived at Aubusson, a town celebrated for its numerous
carpet factories. Torrini and his servant were on the box of the
carriage: I was at work. We were going down a hill, and Antonio was
pulling at the rope which dragged our wheels, when, suddenly, I heard
something break, and the carriage started off at full speed. The
slightest obstacles produced a tremendous shock, and every moment I
expected the carriage to go over.
Trembling, and hardly able to breathe, I clung to my bench as a plank of
safety, and with my eyes closed, awaited the death that appeared
inevitable. For a moment we were on the point of escaping the
catastrophe. Our powerful horses, skillfully guided by Antonio, had kept
up bravely during this rapid descent, and we had passed the first houses
in Aubusson, when, as misfortune willed it, an enormous hay-cart emerged
from a side street, and barred our passage. The driver did not see the
danger till it was too late to avoid it. The accident was inevitable,
the collision frightful.
I was momentarily stunned by the pain, but as soon as I recovered I
stepped out of the carriage to look after my comrades. I found Antonio
covered with harmless contusions, supporting Torrini, whose arm was
dislocated, and leg broken. Our two horses lay dead in the road; as for
the carriage, only the body remained intact: all the rest was knocked to
atoms.
A doctor, hurriedly sent for, reached an adjoining inn to which we had
been directed, almost as soon as ourselves. And here I could not refrain
from admiring Torrini’s magnanimity, when he insisted on our being
looked to first; and, in spite of our entreaties, we could not alter
his determination. Antonio and myself were soon all right again, but
this was not the case with Torrini: he was obliged to undergo all the
operations and different phases of a broken leg.
Although he treated the accident so coolly, it might produce terrible
consequences for him: the repair of the carriage, the physician, our
forced stay at an inn, would cost him very dear. Could he continue his
performances--replace his horses? This idea caused Antonio and myself
cruel anxiety: Torrini alone did not despair of the future.
Public-domain text, read in full here on John Shaqi.
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