The west front is of three divisions guarded by projecting buttresses, the centre portion forming the principal entrance, a pointed arch bounded by a sweeping label; above this is a lancet light, succeeded by a panel intended for a clock dial. From this part the tower shows itself above the roof to the height of about 20 feet, and has mullioned windows in the style of the 16th-century, surmounted by an embattled parapet and four crocketed pinnacles crowned with finials. The flanks of the west end are quite plain, having in their centre narrow blank loopholes. The nave has on each side four lancet windows, bounded by labels; and the northern and southern extremities of the transepts, with the chancel or eastern end, have triple lancet windows with recessed mouldings, resting on grotesque carved heads. The transepts and chancel terminate with gables, having on their apex a crocketed pinnacle. The extreme length of the church is about 84 feet, and 30 feet in width, the transepts from north to south are 66 feet, and the tower to the summit of the pinnacles 60 feet. THE INTERIOR possesses a very pleasing appearance. The basement of the tower forms the vestibule, which is flanked on one side by the vestry, and on the other by the stairs leading to the gallery. The aisles of the nave and transepts are occupied by free benches, with a passage on either hand, the pews being placed along the side walls of the entire building. The font is of free-stone, and placed on a pedestal in the area between the transepts; the basin is octangular, having on its side compartments a small quatrefoil sunk within a square panel. On each side of the communion table are two carved gothic chairs; and nearly the whole extent of the eastern wall of the chancel is covered with a handsome altar skreen. The three lancet windows are filled with splendid stained glass. The subject occupying the centre window is a full-length figure of ISAIAH, in an attitude strikingly prophetic, and clothed in a brilliant vest of purple, over which is thrown a green robe lined with ermine, denoting his royal descent. The corresponding windows on each side have spirited figures of ST. MATTHEW and ST. MARK. The former exhibits deep and serious meditation, with a most benign countenance; in his right hand is a halbert, and in his left a Greek manuscript. ST. MARK is a most venerable figure, whose head appears covered with the frost of hoary years, and he is pointing to an open gospel which he holds in his left hand. The figures stand on rich bases, which display an highly ornamented quatrefoil, and are surmounted by canopies of the most elegant crocketed tabernacle work, which have a truly pleasing effect.