As for thee, star-eyed Egyptian!
Glorious sorceress of the Nile,
Light the path to Stygian horrors
With the splendors of thy smile.
Give the Caesar crowns and arches,
Let his brow the laurel twine;
I can scorn the Senate's triumphs,
Triumphing in love like thine.
I am dying, Egypt, dying;
Hark! the insulting foeman's cry,
They are coming! quick, my falchion!
Let me front them ere I die.
Ah! no more amid the battle
Shall my heart exulting swell--
Isis and Osiris guard thee!
Cleopatra, Rome, farewell!
He was engaged to Miss Sarah Doremus, a sister of Professor Doremus of
New York. After the terrible shock of his sudden death she never
married, but devoted her life to carrying out her sainted mother's
missionary projects, once taking a trip alone around the world to
visit the missionary stations started by her mother.
As soon as I had arrived at Mr. Bartholomew's, Mrs. Broadwell gave me
a dinner. Six unmarried ladies and seven well-known bachelors were the
guests, as she wished to give me just what I needed, an endorsement
among her own friends. The result was instant and potent.
Everyone at that dinner did something afterwards to entertain me. I
was often invited to the opera, always had a box (long-stemmed roses
for all the ladies), also to dinner and lunches. If anyone in the city
had anything in the way of a rare collection, from old engravings to
rare old books, an evening was devoted to showing the collection to me
with other friends. One lady, Miss Mary Louise McLaughlin, invited me
to lunch with her alone. Her brother, a bachelor lawyer, had at that
time the finest private library in the city. She was certainly the
most versatile in her accomplishments of anyone I have ever known. She
had painted the best full-length portrait of Judge Longworth, father
of the husband of Alice Roosevelt. She was a china painter to beat the
Chinese, and author of four books on the subject. She was an artist
in photography; had a portfolio of off-hand sketches of street gamins,
newsboys, etc., full of life and expression. She brought the art of
under glaze in china-firing to this country and had discovered a
method of etching metal into fine woods for bedroom furniture. She was
an expert at wood-carving, taking lessons from Ben Pitman. Was fond of
housekeeping and made a success of it in every way. Anything else?
Yes, she showed me pieces of her exquisite embroidery and had made an
artistic and wholly sane "crazy-quilt" so much in vogue at that time.
Her own beautiful china was all painted and finished by herself. As I
left her, I felt about two feet high, with a pin head. And yet she was
free from the slightest touch of conceit.
Public-domain text, read in full here on John Shaqi.
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