Memory's Storehouse Unlocked, True Stories: Pioneer Days In Wetmore and Northeast KansasBristow, John T.
Philosophy
Memory's Storehouse Unlocked, True Stories: Pioneer Days In Wetmore and Northeast Kansas
Bristow, John T.
Nemaha County (Kan.) -- History; Wetmore (Kan.) -- History
But a rehash of the “circus layout” as my Old Pal puts it, is maybe
going to be disappointing, as I can now think of nothing in this
connection to pin on Buddy. However, I suppose it might have been
considered—for recreation purposes only—as a sort of adjunct to the
tannery. The trapeze, horizontal bars, and spring-board, were only about
fifty feet removed from the tanvats. And then, too, the lot had the
tanyard smell.
Ringling Brothers wagon circus had recently made a stand here, and the
“fever” among the local youngsters was running high. Activity about the
lot was both spirited and awkward, with a lively bunch willing to try
anything—once.
The real trouble was, we had only one Star performer. Charley Askren
was, before he got injured in a fall, a trapeze and bar performer with
the Dan Rice circus. He was a welcome instructor. And though he could
still do some wonderful stunts, I think there are none I want to mention
here, except maybe the time he let me slip through his hands in a rather
daring act, the fall to the ground breaking my left arm.
This statement, without qualification, would hardly do justice to my
old team-mate. Had we made it, the act would have been a honey. And had
Charley not said, grandly, to a “skirted” audience, “This is going to
be good. Keep your eyes pinned on this Johnny boy, the G-R-E-A-T and
only—,” in real circus ballyhoo fashion, it might not have been a flop.
Charley used a lot of circus terms in his work with us.
The trouble was, I “weakened”—just a wee bit, to be sure—at the moment
when I took the air, and after making a complete turn came down also
a wee bit tardy for Charley to get a firm hold on me, in his head-down
swinging position. Had he caught me by the wrists, he would have tossed
me, on the third swing, face about, back to the bar from which I had
made the takeoff.
In practice, another boy — usually George Foreman, brother of Mrs. L. C.
McVay and Mrs. R. A. DeForest — would stand by to right me, in case of
a slip. George was tall and very active. Sometimes we would change
positions in this act. I know now that this would have been a grand time
for me to have called out, in the usual way, “Let George do it!”
Sure, we had a well-filled straw-tick which was always placed under the
weaklings—but who was there among us that would have wanted to have
it brought out in the presence of lady visitors? Of the two lady
spectators, one was a redhead. She fell in love with Charley—and married
him. Charley had done a lot of impressive flipping and flopping to gain
his position on the bar for the act. The redhead’s younger black; haired
sister (Anna) was the better looking, and near my age—but, as of the
moment, I did not shine as I hoped I might. And then, too, I had that
broken arm to think about. Dr. Thomas Milam “splinted” it up drum-tight,
according to ancient practice—but, by midnight, he had to do it all over
again.
Public-domain text, read in full here on John Shaqi.
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