Christian sociology; Labor -- United States; Labor movement -- United States; Working class -- United States
=The Motion Pictures.= The motion-picture business has become one of
the greatest enterprises of our day. In 1914 there were over 20,000
motion-picture theaters in the United States. The year before that
three hundred million dollars was spent for films, and over five
billion paid admissions were recorded throughout the country. The
motion-picture has made possible the reproduction of the best plays,
and they are offered to the people at a very low price. Five and
ten cents will permit any one to be amused for a whole evening. The
motion-picture theater possesses great educational possibilities. It
has revolutionized our ideas of entertainment. The best books have been
put into films and more people than ever before are having a chance
to read. This is having a profound effect upon our lives, for as has
been said, “the thing we see impresses us more than what we hear.” We
often say, “it went in one ear and out the other” but no one ever says,
“it went in one eye and out the other.” The making of films requires
the work of thousands of actors; besides carpenters, masons, machine
operators, directors, and managers. It is a huge business!
A crowd gathered in New York at Thirty-fourth Street and Second Avenue
one Saturday afternoon. A man was beating a boy when a disheveled woman
ran out from the side entrance of a saloon and threw herself upon this
beast. He grasped her by the throat and was just about to strangle her,
when the boy, released from the clutches of the man, stabbed him in the
back with a knife and thus freed his mother. It happened so quickly
that many of the crowd thought that they were looking upon a real
tragedy. It proved to be simply a “movie” being enacted upon the street.
In a Florida city an automobile dashed into town; a young girl was in
the back seat, while in the front was a young man driving the machine
with one hand and holding a preacher down with the other. They stopped
in front of a church; went inside, and there they were met by two other
men, accomplices of the young fellow, and who stood one on either side
of the minister with revolvers at his head and forced him to perform
the marriage ceremony. An outrage in real life, but really played for
the movies.
Public-domain text, read in full here on John Shaqi.
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