Short stories; United States -- Social life and customs -- 19th century -- Fiction
"I'll fight yer wid swords! Sure I will! Come ahead, Dago! I'll fight
yeh anywheres wid anyt'ing! We'll have a large, juicy scrap, an' don't
yeh forgit dat! I'm right wid yez. I ain't no muff! I scrap with a man
jest as soon as he ses scrap, an' if yeh wanta scrap, I'm yer kitten.
Understan' dat?"
The policeman said sharply--"Come, now; what's all this?" He had a
distinctly business air.
The little Cuban stepped forward calmly. "It is none of your business."
The policeman flushed to his ears. "What?"
One well-dressed man touched the other on the sleeve. "Here's the time
to skip," he whispered. They halted a block away from the saloon and
watched the policeman pull the Cuban through the door. There was a
minute of scuffle on the sidewalk, and into this deserted street at
midnight fifty people appeared at once as if from the sky to watch it.
At last the three Cherry Hill men came from the saloon, and swaggered
with all their old valor toward the peacemakers.
"Ah," said Patsy to them, "he was so hot talkin' about this duel
business, but I would a-given 'im a great scrap, an' don't yeh forgit
it."
For Patsy was not as wise as seven owls, but his courage could throw a
shadow as long as the steeple of a cathedral.
A DESERTION
The yellow gaslight that came with an effect of difficulty through the
dust-stained windows on either side of the door gave strange hues to
the faces and forms of the three women who stood gabbling in the
hallway of the tenement. They made rapid gestures, and in the
background their enormous shadows mingled in terrific conflict.
"Aye, she ain't so good as he thinks she is, I'll bet. He can watch
over 'er an' take care of 'er all he pleases, but when she wants t'
fool 'im, she'll fool 'im. An' how does he know she ain't foolin' im'
now?"
"Oh, he thinks he's keepin' 'er from goin' t' th' bad, he does. Oh,
yes. He ses she's too purty t' let run round alone. Too purty! Huh! My
Sadie--"
"Well, he keeps a clost watch on 'er, you bet. On'y las' week, she met
my boy Tim on th' stairs, an' Tim hadn't said two words to 'er b'fore
th' ol' man begin to holler. 'Dorter, dorter, come here, come here!'"
At this moment a young girl entered from the street, and it was evident
from the injured expression suddenly assumed by the three gossipers
that she had been the object of their discussion. She passed them with
a slight nod, and they swung about into a row to stare after her.
On her way up the long flights the girl unfastened her veil. One could
then clearly see the beauty of her eyes, but there was in them a
certain furtiveness that came near to marring the effects. It was a
peculiar fixture of gaze, brought from the street, as of one who there
saw a succession of passing dangers with menaces aligned at every
corner.
Public-domain text, read in full here on John Shaqi.
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