No; it is the shouted authors who are most discontented; the men who have best availed themselves of all the resources of civilization, who belong to syndicates, employ agents, have a price-current, and know what it is to be paid half a dozen times over for the same thing. Even the prospect of American copyright and taxing all the intelligence of a reading Republic--even this does not satisfy them. They want to be classics in their own lifetime, and to be spoken and written of as if they were already embalmed in the memory of a grateful nation. To speak or write lightly of departed genius is offensive, but people who have the luck to be alive must not expect to be taken quite so seriously. But they do. Everything is taken seriously in these grim days, even short stories. There is said to be a demand for short stories, begotten, amongst many other things, by that reckless parent, the Spirit of the Age. There is no such demand. The one and only demand poor wearied humanity has ever made, or will ever make, of the story-teller, be he as long-winded as Richardson or as breathless as Kipling, is to be made self-forgetful for a season. Interest me somehow, anyhow; make me mindless of the room I am sitting in, of the people about me; soothe me, excite me, tickle me, make me better, make me worse; do what you like with me, only make it possible for me to keep reading on, and a joy to do so. This is our demand. There is nothing unreasonable in it. It is matter of experience. Authors have done all this for us, and are doing it to-day. It is their trade, and a glorious one. But the only thing that concerns the reader is the book he holds in his hand. He cannot derive inspiration from any other quarter. To the author the characters may be living, he may have lived amongst them for months; they may be inexpressibly dear to him, and his fine eyes may fill with tears as he thinks of Jane or Sarah, but this avails naught to the reader. Our authors are too apt to forget this, and to tell us what they think of their own figments, and how they came to write their books. The imitation of Carlyle cannot be generally recommended, but in one respect, at all events, his example should be followed. Though he made fuss enough whilst he was writing a book, as soon as he had done with it he never mentioned it again.