Artists -- Fiction; English fiction -- 20th century; Jews -- England -- London -- Fiction; Man-woman relationships -- Fiction
"I was busy painting."
"I say, you are a corker! If it were Weldon or Kessler I should say
you were lying."
"I do not lie," replied Mendel with some heat. "It may have been
wrong, but it was good, and I was happier after it. I think I should
have gone mad without it, for everything had
disappeared--everything--everything; and without painting you do not
understand how terrible and empty life is to me. I have nothing, you
see. I am poor, and my father and mother will always be poor. Their
life is hard and beastly, but they do not complain, and I should not
complain if I did not have this other thing that I must do."
"Well, I'm jolly glad to know you," said Mitchell. "I'm not much of a
fellow, but I'd like you to know my people. My father's a great man.
He'll stir you up. And you must come along with me and Weldon and
Kessler and see life while you're young. Good-bye."
He shook hands vigorously with Mendel and strode off with his long,
raking stride, while Mendel stood glowing with the happiness of having
found a friend, some one to whom he could talk almost as he talked to
Golda: a fine young Englishman, pink and oozing robustious health,
ease, refinement, and comfort. He thought with a devoted tenderness of
Mitchell's rather absurd round face, with its tip-tilted nose and
blinking eyes, its little rosebud of a mouth and plump round chin, on
which there was hardly a trace of a beard. . . . "My friend!" thought
Mendel, "my friend!" And he gave a leap of joy. It meant for him the
end of his loneliness. No longer was he to be the poor, isolated
Yiddisher, but he was to move and have his being with these fine young
men who were the leading spirits of the school, the guardians of the
tradition bequeathed to it by the great Calthrop. . . . Oh! he would
learn their way of drawing, he would do it better than any of them. He
would be gay with them and wild and merry and young. And all the while
secretly he would be working and working, following up that inner
purpose until one day he appeared with a picture so wonderful that the
Professor would say, like Mr. Sivwright, that he had nothing more to
learn. And because of his wonderful work, everybody would forget that
he was a Jew, and he would move freely and easily in that wonderful
England which he had begun to perceive behind the fresh young men like
Mitchell and the cool, pretty girls at the school. That England was
their inheritance and they seemed hardly aware of it. He would win it
by work and by dint of the power that was in him.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account