You will ask, perhaps, did Craig look out of the window. As it happened, this sky effect was invisible from any window, and I have her word that she had not moved from her couch. I should add that she is nervous, and keeps the curtains tightly drawn at night, and never goes out at night unless it is to be driven somewhere. It was early in March, with a cold wind off the sea, and I had to labor to persuade her to put a wrap over her dressing gown and step out into the middle of the street to look up at the sky. _18_ The casual reader may be bored by too many of these drawings, but they are easy to skip, or to take in at a glance, and there may be students who will want to examine them carefully. So I will add a selection of the significant drawings, with only brief remarks. I begin with what I have called partial successes, and then add a few more of those I have called “complete.” Let us return to the early drawings, made by my secretary. On the automobile ride to Pasadena, there was an ash-can (Fig. 100): [Illustration: Fig. 100] For the above my wife wrote: “I see a chain dangling from something—resembling little chimney pot on top of house.” And here is design for which the comment was: “These somehow belong together but won’t get together” (Figs. 101, 101a): [Illustration: Fig. 101] [Illustration: Fig. 101a] Here is a fan, with comment: “Inside seems irregular, as if cloth draped or crumpled” (Figs. 102, 102a): [Illustration: Fig. 102] [Illustration: Fig. 102a] Here is a one-half success (Figs. 103, 103a): [Illustration: Fig. 103] [Illustration: Fig. 103a] Here is a broom, drawn by my secretary (Fig. 104), and several efforts to reproduce it (Figs. 104a, 104b): [Illustration: Fig. 104] [Illustration: Fig. 104a] [Illustration: Fig. 104b] The comments accompanying these drawings read: “All I’m sure of is a straight line with something curved at end of it; once it came” (here is drawing of the flower). “Then it doubled, or reappeared, I don’t know which. (Am not sure of curly edges.) Then it was upside down.” The next drawing was a heart, and my wife got the upper half with what are apparently blood-drops added (Figs. 105, 105a): [Illustration: Fig. 105] [Illustration: Fig. 105a] The above is interesting, as suggesting that whatever agency furnished the information knew more than it was telling. For if Craig’s drawing, a pair of curves, constituted a crude letter N, or had no significance, why add the blood-drops, which were not in the original? On the other hand, if her subconscious mind knew it was a heart, why not give her the whole heart, and let her draw it? So much for the drawings of my secretary; and now for my own early drawings. When I was a school boy, we used to represent human figures in this way; and, as you see, Craig got the essentials (Figs. 106, 106a): [Illustration: Fig. 106] [Illustration: Fig. 106a]