The umbrella brings up Craig’s reptile “complex” again. I assure you that in her garden, she turns sticks into snakes when they are far less snake-like than my drawing. Her comment was: “I feel that it is a snake crawling out of something—vivid feeling of snake, but it looks like a cat’s tail” (Figs. 122, 122a): [Illustration: Fig. 122] [Illustration: Fig. 122a] I drew a wall-hook to hang your coat on (Figs. 123, 123a): [Illustration: Fig. 123] [Illustration: Fig. 123a] A design, evidently felt as a design, though not well got (Figs. 124, 124a): [Illustration: Fig. 124] [Illustration: Fig. 124a] A screw, with comment: “light-house or tower. Too fat at base.” If Craig’s drawing were made narrower at base, it would reproduce the screw very well. Note that in the right-hand “tower” the screw-like effect of the “set backs” is kept (Figs. 125, 125a): [Illustration: Fig. 125] [Illustration: Fig. 125a] Here is a love story which seems to go wrong, the hearts being turned to opposition (Figs. 126, 126a): [Illustration: Fig. 126] [Illustration: Fig. 126a] Here is the flag, made simpler—“e pluribus unum!” (Figs. 127, 127a): [Illustration: Fig. 127] [Illustration: Fig. 127a] Here is a cow, as seen by the cubists. Comment: “Something sending out long lines from it” (Figs. 128, 128a): [Illustration: Fig. 128] [Illustration: Fig. 128a] Telegraph wires, apparently seen as waves in the ether (Figs. 129, 129a): [Illustration: Fig. 129] [Illustration: Fig. 129a] Comment on the following: “Horns. Can’t see what they are attached to” (Figs. 130, 130a): [Illustration: Fig. 130] [Illustration: Fig. 130a] And here is a parrot turned into a leaf, with comment. “See veins and stem with sharp vivid bend in it”—which seems to indicate a sense of the parrot’s beak (Figs. 131, 131a): [Illustration: Fig. 131] [Illustration: Fig. 131a] _19_ The border-line between successes and failures is not easy to determine. Bear in mind that we are not conducting a drawing class, nor making tests of my wife’s eyesight: we are trying to ascertain whether there does pass from my mind to hers, or from my drawing to her mind, a recognizable impulse of some sort. So, if she gets the essential feature of the drawing, we are entitled to call it evidence of telepathy. I think the fan with “crumpled cloth” (Fig. 102), and the umbrella handle that may be a “snake crawling out of something,” but that “looks like a cat’s tail” (Fig. 122), and the screw that was called a “tower” (Fig. 126)—all these are really successes. I will append a number of examples, about which there seems to me no room for dispute, and which I have called successes. The first is a sample of architecture (Figs. 132, 132a): [Illustration: Fig. 132] [Illustration: Fig. 132a]