Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
Here, then, were two of the initiations that had come, with the
swiftness of the spate in Alpine valleys at the melting of the snow,
upon Michael; his own liberty, namely, and this new sense of music. He
had groped, he felt now, like a blind man in that direction, guided only
by his instinct, and on a sudden the scales had fallen from his eyes,
and he knew that his instinct had guided him right. But not less
epoch-making had been the dawn of friendship. Throughout the week his
intimacy with Hermann Falbe had developed, shooting up like an
aloe flower, and rising into sunlight above the mists of his own
self-occupied shyness, which had so darkly beset him all life long. He
had given the best that he knew of himself to his cousin, but all
the time there had never quite been absent from his mind his sense
of inferiority, a sort of aching wonder why he could not be more like
Francis, more careless, more capable of enjoyment, more of a normal
type. But with Falbe he was able for the first time to forget himself
altogether; he had met a man who did not recall him to himself, but
took him clean out of that tedious dwelling which he knew so well and,
indeed, disliked so much. He was rid for the first time of his morbid
self-consciousness; his anchor had been taken up from its dragging in
the sand, and he rode free, buoyed on waters and taken by tides. It
did not occur to him to wonder whether Falbe thought him uncouth and
awkward; it did not occur to him to try to be pleasant, a job over which
poor Michael had so often found himself dishearteningly incapable; he
let himself be himself in the consciousness that this was sufficient.
They had spent the morning together before this second performance of
Parsifal that closed their series, in the woods above the theatre, and
Michael, no longer blurting out his speeches, but speaking in the quiet,
orderly manner in which he thought, discussed his plans.
“I shall come back to London with you after Munich,” he said, “and
settle down to study. I do know a certain amount about harmony already;
I have been mugging it up for the last three years. But I must do
something as well as learn something, and, as I told you, I’m going to
take up the piano seriously.”
Falbe was not attending particularly.
“A fine instrument, the piano,” he remarked. “There is certainly
something to be done with a piano, if you know how to do it. I can strum
a bit myself. Some keys are harder than others--the black notes.”
“Yes; what of the black notes?” asked Michael.
“Oh! they’re black. The rest are white. I beg your pardon!”
Michael laughed.
“When you have finished drivelling,” he said, “you might let me know.”
“I have finished drivelling, Michael. I was thinking about something
else.”
“Not really?”
“Really.”
Public-domain text, read in full here on John Shaqi.
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