Great Britain -- Social life and customs -- 20th century -- Fiction; Historical fiction
The advent of the Emperor had put the whole town in a ferment. Though
the visit was quite incognito, an enormous military staff which had
been poured into the town might have led the thoughtful to suspect the
Kaiser’s presence, even if it had not been announced in the largest type
in the papers, and marchings and counter-marchings of troops and sudden
bursts of national airs proclaimed the august presence. He held an
informal review of certain Bavarian troops not out for manoeuvres in the
morning, visited the sculpture gallery and pinacothek in the afternoon,
and when Hermann and Michael went up to the theatre they found rows
of soldiers drawn up, and inside unusual decorations over a section of
stalls which had been removed and was converted into an enormous box.
This was in the centre of the first tier, nearly at right angles to
where they sat, in the front row of the same tier; and when, with
military punctuality, the procession of uniforms, headed by the Emperor,
filed in, the whole of the crowded house stood up and broke into a roar
of recognition and loyalty.
For a minute, or perhaps more, the Emperor stood facing the house with
his hand raised in salute, a figure the uprightness of which made him
look tall. His brilliant uniform was ablaze with decorations; he seemed
every inch a soldier and a leader of men. For that minute he stood
looking neither to the right nor left, stern and almost frowning, with
no shadow of a smile playing on the tightly-drawn lips, above which his
moustache was brushed upwards in two stiff protuberances towards his
eyes. He was there just then not to see, but to be seen, his incognito
was momentarily in abeyance, and he stood forth the supreme head of his
people, the All-highest War Lord, who had come that day from the
field, to which he would return across half Germany tomorrow. It was an
impressive and dignified moment, and Michael heard Falbe say to himself:
“Kaiserlich! Kaiserlich!”
Then it was over. The Emperor sat down, beckoned to two of his officers,
who had stood in a group far at the back of the box, to join him, and
with one on each side he looked about the house and chatted to them. He
had taken out his opera-glass, which he adjusted, using his right hand
only, and looked this way and that, as if, incognito again, he was
looking for friends in the house. Once Michael thought that he looked
rather long and fixedly in his direction, and then, putting down his
glass, he said something to one of the officers, this time clearly
pointing towards Michael. Then he gave some signal, just raising his
hand towards the orchestra, and immediately the lights were put down,
the whole house plunged in darkness, except where the lamps in the sunk
orchestra faintly illuminated the base of the curtain, and the first
longing, unsatisfied notes of the prelude began.
Public-domain text, read in full here on John Shaqi.
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