Michael could howl, or sing, rather (because his howling was so mellow
and so controlled), any air that was not beyond his register that Steward
elected to sing with him. In addition, he could sing by himself, and
unmistakably, such simple airs as "Home, Sweet Home," "God save the
King," and "The Sweet By and By." Even alone, prompted by Steward a
score of feet away from him, could he lift up his muzzle and sing
"Shenandoah" and "Roll me down to Rio."
Kwaque, on stolen occasions when Steward was not around, would get out
his Jews' harp and by the sheer compellingness of the primitive
instrument make Michael sing with him the barbaric and devil-devil
rhythms of King William Island. Another master of song, but one in whom
Michael delighted, came to rule over him. This master's name was Cocky.
He so introduced himself to Michael at their first meeting.
"Cocky," he said bravely, without a quiver of fear or flight, when
Michael had charged upon him at sight to destroy him. And the human
voice, the voice of a god, issuing from the throat of the tiny,
snow-white bird, had made Michael go back on his haunches, while, with
eyes and nostrils, he quested the steerage for the human who had spoken.
And there was no human . . . only a small cockatoo that twisted his head
impudently and sidewise at him and repeated, "Cocky."
The taboo of the chicken Michael had been well taught in his earliest
days at Meringe. Chickens, esteemed by _Mister_ Haggin and his white-god
fellows, were things that dogs must even defend instead of ever attack.
But this thing, itself no chicken, with the seeming of a wild feathered
thing of the jungle that was fair game for any dog, talked to him with
the voice of a god.
"Get off your foot," it commanded so peremptorily, so humanly, as again
to startle Michael and made him quest about the steerage for the
god-throat that had uttered it.
"Get off your foot, or I'll throw the leg of Moses at you," was the next
command from the tiny feathered thing.
After that came a farrago of Chinese, so like the voice of Ah Moy, that
again, though for the last time, Michael sought about the steerage for
the utterer.
At this Cocky burst into such wild and fantastic shrieks of laughter that
Michael, ears pricked, head cocked to one side, identified in the fibres
of the laughter the fibres of the various voices he had just previously
heard.
Public-domain text, read in full here on John Shaqi.
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