Émile Zola, Novelist and Reformer: An Account of His Life & WorkVizetelly, Ernest Alfred
General
Émile Zola, Novelist and Reformer: An Account of His Life & Work
Vizetelly, Ernest Alfred
Zola, Émile, 1840-1902
From this it might be inferred that it proved an absolute failure,
but such was hardly the case. Certainly it was not a perfect book.
Zola himself afterwards wrote that the observer occasionally vanished
from its pages, allowing the poet to appear, a poet who had drunk too
much milk and eaten too much sugar. "It was not," said he, "a virile
work; it was the cry of a weeping, rebellious child." But with all its
faults it bore the impress of sincerity; Daudet's "Sapho," though far
superior as literature, leaves one cold when one turns to it after
perusing Zola's feverish pages. If the public did not rush to buy
the "Confession," the critics, at all events, paid it considerable
attention, and several assailed it unmercifully. For instance, Barbey
d'Aurévilly, writing in the "Nain Jaune," declared that its "hero" was
a toad, and that the author had simply spun out, over three hundred and
twenty pages, what Cambronne, who commanded the Old Guard at Waterloo,
had expressed in a single word. But what particularly roused Zola's
ire was that "le Catholique hystérique," as he subsequently nicknamed
Barbey d'Aurévilly, maliciously referred to the "Confession" as
"Hachette's little book," whereas that firm had nothing to do with it.
Zola therefore addressed a letter of protest to the "Nain Jaune."[21]
But he had already decided to sever his connection with his employers.
Since the death of M. Louis Hachette in the summer of 1864, the young
man's position in the firm had been growing difficult. His superiors
looked askance at his literary efforts, as if they thought that he
wrote stories and articles in the time for which they paid him.
Moreover, as they themselves did not deal in revolutionary literature,
they did not care to have one of their clerks associated with such
work. "La Confession de Claude" seemed to them too outspoken; and a
few days after its publication, that is, at the end of November, 1865,
one of the partners said to Zola: "You earn two hundred francs a month
here. It is ridiculous! You have plenty of talent, and would do better
to take up literature altogether. You would find glory and profit in
it."[22]
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account