Minor Tibetan Texts: 1. The song of the Eastern Snow-mountain
Religion
Minor Tibetan Texts: 1. The song of the Eastern Snow-mountain
Buddhist literature, Tibetan; Prayer -- China -- Tibet Autonomous Region -- Buddhism; Tibetan language -- Texts
In a Tibetan mixed marriage such as we are here considering the custom
is to call the elder son ཀོ་ཀོ་ after the Chinese manner, instead of
using the Tibetan word. This is ཨ་ཇོ་ in Tsang and ཇོ་ཇོ་ in Lhasa. The
latter is pronounced, and sometimes written, ཅོ་ཅོ་ and even sometimes
pronounced chö-cho, as if written ཅོས་ཅོ་. But in the above case ཀོ་ཀོ་
means really ‘elder brother.’ A girl, born in such a marriage, is
similarly called མི་མི་, Chinese, instead of ཨ་ཆེ་, Tibetan. These terms
do not mean half-blood. Whether མི་མི་ is used for the eldest daughter
alone or for all the daughters of the marriage I could not ascertain.
It is said that every Chinaman, however humble, becomes at once a
personage of importance when in Tibet, and demands to be addressed at
least as དཔོན་པོ་, Mister, Sir (as every European becomes automatically a
Sahib in India), and feels quite insulted if addressed by the more
familiar ཀོ་ཀོ་ as a liberty taken with his dignity. A Chinaman from
Tibet, however, denied this. I remember once travelling in the Sunda
country with my Javanese writer who met several people on the road whom
he knew and whom he saluted as ‘little brother’ or ‘elder brother.’ I
was puzzled at his belonging to so big a family, but found the solution
of the riddle when I understood that this fraternity was not one of
consanguinity at all. So ‘elder sister’ amongst Tibetans means only
Madam, Lady, or a polite word of address to any woman of more than low
status in life. In German Mütterchen for any old woman of simple
status.
To pp. 35–37. The expression ཀུན་ཏུ་བཟང་པོས་བརྒྱན་པའི་ཞིང་ occurring in the
little prayer-book བཟང་སྤྱོད་ can hardly mean ‘a field (= heaven, world)
which Kuntuzangpo has adorned’ (beautified, decorated, embellished), in
the sense in which one may decorate a house or room, with beautiful
pictures, furniture, etc. It must surely be understood as ‘the heaven
blazing with the glory of Kuntuzangpo’s presence in it,’ a heaven
resplendent with his glory. In other words, he adorns it by his mere
being there, but not as the result of some activity expressed by a
transitive verb. The world is adorned, but has not been decorated or
beautified. I wonder if the agentive case པོས་ may be understood as in
English expressions like: ‘happy through him,’ ‘blazing with diamonds,’
‘laughing for joy,’ and the like.
To p. 40. See the unusual explanation of ཅེས་པ་ in S. Ch. D., s.v. ག་
III, where he translates ཅེས་པའོ་ as ‘it may be said.’ The dge rgan,
however, paraphrases the expression here as ལབ་པ་རེད་ or ལབ་གི་འདུག་, or
ཅེས་སྨྲས་སོ་, which gives it another meaning, namely: ‘so it has been
said,’ ‘so is the teaching,’ ‘that is what has been taught.’ In this
sense the previous words are a direct quotation and the ཅེས་པའོ་ cannot
be translated as ‘it may be said that.’
To p. 40. In the note to ཆགས་སྡང་, for འདོད་ཆགས་དང་ཞེ་སྡང་, non-attachment
and indifference only in connection with a negative.
Public-domain text, read in full here on John Shaqi.
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