But Enver was not always over-serious and unbending. In a certain small circle of friends he was quite otherwise. And circumstances, which so largely decide our destinies, gave me an opportunity to know him as well as one alien to his religion could know him. He was allotted by the Foreign Office quarters in the little palace where I was living. For half a year I saw him every day, sat next to him at table and occasionally we went to the theatres and the Turkish Embassy. During that time Enver told me a great deal about his life and his ambitions. He had known my husband in Constantinople, and was away from Moscow at the time of my husband’s death. As soon as he returned he called on me, bringing Halil and the Turkish Ambassador, Ali Fued Pasha, with him. All three were extremely kind and sympathetic. From that moment until I left Moscow the Turks did everything possible to make life less tragic for me, and I gained an insight into the Turkish character which I had never imagined. The Turks have a peculiar capacity for friendship. And friendship, once given, has no bournes; a friend is a friend through everything--sorrow, dishonor, poverty, as well as wealth and success. An enemy, on the other hand, is beyond all consideration; he is spared nothing, forgiven nothing. Enver has the personal vanity of the enthusiast and he imagines that everything he does he does well. The only way to cope with his conceit is to be brutally frank. I discovered early in our acquaintance that frankness by no means offends him. One of Enver’s nicest qualities is that he likes to discover his faults as well as his virtues; he is eager to improve himself. He has a passion for making pencil sketches of people he meets and always goes about with a pencil and a pad of paper in his pocket. In the house where we lived he made sketches of all the guests and all the servants. He made, in all, six very uninteresting portraits of me. One morning when the tea was more tasteless than ever and the bread especially sour and muddy so that I felt I could not manage to eat a single bite, I could not help feeling unpleasantly resentful to see Enver busy with his sketches and full of enthusiasm. And while I sat staring at the terrible meal, he proceeded to make a life-size portrait of me which was incredibly bad. I remember that I wondered where on earth he ever got such a large piece of paper in Russia. When he had finished the sketch he signed his name with a flourish and presented it to me. I took it but said nothing. Enver has the curiosity of a child, and, after a long silence, he asked me if it was possible that I did not really like it. I said that I thought he had no talent for drawing. He became suddenly quite angry and said in a low voice, “But do you realize I have signed my name to it?”