Miser Farebrother: A Novel (vol. 1 of 3)Farjeon, B. L. (Benjamin Leopold)
General
Miser Farebrother: A Novel (vol. 1 of 3)
Farjeon, B. L. (Benjamin Leopold)
Fiction
Aunt Leth pressed her hand fondly over the young girl's head, and just
for one moment there were tears in both their eyes; but they were
instantly dried, and with a smile and a kiss they busied themselves
preparing for the reading of the play. These were soon completed, and
the gentlemen were called in.
"Capital! capital!" exclaimed Kiss, as he contemplated the
arrangements--the lights on the table, the chairs ranged round, the
place of honour for himself so disposed that he could either sit or
stand. "As good as a green-room, Linton."
"A great deal better," said the author, thinking of the various vain
interests comprised in a company of actors, each listening to the lines
of the character he was to play, and calling the piece good or bad
according to the strength or weakness of that special part of it. He
took his manuscript from his pocket and handed it to Kiss. The actor
gazed with calm and impressive dignity at his audience. His movements
were few and quiet and stately. He knew the value of repose. He was in
his glory, master of the situation, and equal to the occasion. He
opened the manuscript and was about to commence, when a diversion
occurred. There was a sound at the door as of some person outside. Aunt
Leth went to the door, opened it, glided into the passage, and
returned.
"It is our servant," she whispered to Kiss. "She has heard of the
reading, and implores to be allowed to be present. She is a very good
girl. May she?"
"By all means," said Kiss. "A theatre is a packet of all sorts. Admit
her."
In came 'Melia Jane, who, with awe on her features, seated herself at
the back of the room, and fixed her eyes upon Kiss, who was to her a
greater than Jove.
Then Kiss commenced in earnest, and quickly held his audience in
thrall. He moved them to tears; he moved them to laughter. He so
individualized each character, male and female, that there was no
difficulty in following the course of the story. It contained tender
and comic episodes, to which he gave full and distinctive weight,
"bringing down the house," as he afterwards said, again and again.
There was a song in the play, which he rendered amidst great applause;
and as the author heard it, and saw the delighted appreciation of the
little company, he hugged himself, as it were, and whispered inly: "It
must be a success. It cannot, cannot fail!" Although the reading
occupied two hours, there was not the least sign of weariness; and when
it was finished, author and actor were overwhelmed with
congratulations. As for 'Melia Jane, she so laughed, and cried, and
clapped her hands, and stamped her feet, that the happy author, poor as
he was, slyly slipped a shilling into her hand.
"It is," said Uncle Leth, "the very finest play that was ever written."
Upon this they were all agreed; and everyone prophesied a glorious
success. Incidentally, Aunt Leth remarked, "And how beautifully you
sang that song, Mr. Kiss."
"Did I?" said Kiss. "Shall I sing you another?"
Public-domain text, read in full here on John Shaqi.
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