“Never mind, you'll find he's like all the rest of the husbands. You just wait and see!” “Better begin with a high hand, Billy. Don't let him fool you!” “Mercy! If I had a husband whose business it was to look at women's beautiful eyes, peachy cheeks, and luxurious tresses, I should go crazy! It's hard enough to keep a man's eyes on yourself when his daily interests are supposed to be just lumps of coal and chunks of ice, without flinging him into the very jaws of temptation like asking him to paint a pretty girl's picture!” In response to all this, of course, Billy could but laugh, and blush, and toss back some gay reply, with a careless unconcern. But in her heart she did not like it. Sometimes she told herself that if there were not any advice or comment from anybody--either book or woman--if there were not anybody but just Bertram and herself, life would be just one long honeymoon forever and forever. Once or twice Billy was tempted to go to Marie with this honeymoon question; but Marie was very busy these days, and very preoccupied. The new house that Cyril was building on Corey Hill, not far from the Annex, was almost finished, and Marie was immersed in the subject of house-furnishings and interior decoration. She was, too, still more deeply engrossed in the fashioning of tiny garments of the softest linen, lace, and woolen; and there was on her face such a look of beatific wonder and joy that Billy did not like to so much as hint that there was in the world such a book as “When the Honeymoon Wanes: A Talk to Young Wives.” Billy tried valiantly these days not to mind that Bertram's work was so absorbing. She tried not to mind that his business dealt, not with lumps of coal and chunks of ice, but with beautiful women like Marguerite Winthrop who asked him to luncheon, and lovely girls like his model for “The Rose” who came freely to his studio and spent hours in the beloved presence, being studied for what Bertram declared was absolutely the most wonderful poise of head and shoulders that he had ever seen. Billy tried, also, these days, to so conduct herself that not by any chance could Calderwell suspect that sometimes she was jealous of Bertram's art. Not for worlds would she have had Calderwell begin to get the notion into his head that his old-time prophecy concerning Bertram's caring only for the turn of a girl's head or the tilt of her chin--to paint, was being fulfilled. Hence, particularly gay and cheerful was Billy when Calderwell was near. Nor could it be said that Billy was really unhappy at any time. It was only that, on occasion, the very depth of her happiness in Bertram's love frightened her, lest it bring disaster to herself or Bertram.