'....Paul has just come in, with victory written on his brow. The English
consul was of no use; but, as he was strolling home, he went into St.
Mark's, and there, of course, found them! In the church were apparently
all the English people who have as yet ventured to Venice; and these, or
most of them, seemed to be following in the wake of a little party of
four persons--two ladies, a gentleman, and a lame girl walking with a
crutch. An excited English tourist condescended to inform Paul that it
was "the great English actress, Miss Bretherton," who was creating all
the commotion. Then, of course, he went up to her--he was provoked that
he could hardly see her in the dim light of St. Mark's--introduced
himself, and described our perplexities. Of course, she had written. I
expected as much. Jacques must certainly be pensioned off! Paul thought
the other three very inferior to her, though the uncle was civil, and
talked condescendingly of Venice as though it were even good enough to be
admired by a Worrall. It is arranged that the beauty is to come and see
me to-morrow if, after Caterina has operated upon us during two meals, we
are still alive. Good-night, and good-bye.'
* * * * *
'VENICE, _August_ 7.
'Well, I have seen her! It has been a blazing day. I was sitting in the
little garden which separates one half of our rooms from the other, while
Caterina was arranging the _déjeûner_ under the little acacia arbour in
the centre of it. Suddenly Félicie came out from the house, and behind
her a tall figure in a large hat and a white dress. The figure held out
both hands to me in a cordial, un-English way, and said a number of
pleasant things, rapidly, in a delicious voice; while I, with the dazzle
of the sun in my eyes so that I could hardly make out the features, stood
feeling a little thrilled by the advent of so famous a person. In a few
moments, however, as it seemed to me, we were sitting, under the acacias,
she was helping me to cut up the melon and arrange the figs, as if we had
known one another for months, and I was experiencing one of those sudden
rushes of liking which, as you know, are a weakness of mine. She stayed
and took her meal with its. Paul, of course, was fascinated, and for once
has not set her down as a _réputation surfaite_.
'Her beauty has a curious air of the place; and now I remember that her
mother was Italian--Venetian actually, was it not? That accounts for it;
she is the Venetian type spiritualised. At the foundation of her face, as
it were, lies the face of the Burano lace-maker; only the original type
has been so refined, so chiselled and smoothed away, that, to speak
fancifully, only a beautiful ghost of it remains. That large stateliness
of her movement, too, is Italian. You may see it in any Venetian street,
and Veronese has fixed it in art.
Public-domain text, read in full here on John Shaqi.
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