Bildungsromans; Love stories; Young women -- England -- Fiction
He had no doubt on the subject
himself; but he was naturally impressed, as most people were, with that
confidence in Lucilla's judgment which so much facilitates the
operations of those persons who are born to greatness. It was precisely
at this moment that his evil genius persuaded Tom Marjoribanks to
interrupt Thomas, who was carrying Mr Holden's message to his young
mistress, and to shut the library door upon the external world. Lucilla
had taken refuge in the library during the renovation of the
drawing-room; and she was aware that this was Tom's last day at
Carlingford, and had no intention of being unkind to him. To tell the
truth, she had at the bottom of her heart a certain regard and impulse
of protection and patronage towards Tom, of which something might have
come had the unlucky fellow known how to manage. But, at the same time,
Miss Marjoribanks was aware that things must be approaching a crisis
upstairs, and was listening intently to the movements overhead, and
wondering why she was not sent for. This was the moment of all others at
which Tom thought fit to claim a hearing; and the state of Lucilla's
feelings may be easily imagined when she saw him plant himself by her
side, with his face alternately red and white, and all the signs of a
desperate resolution in his countenance. For the first time in her life
a certain despair took possession of Miss Marjoribanks's mind. The
sounds had suddenly ceased upstairs, as if the artists were making a
pause to contemplate the effect of their completed work--which indeed
was precisely the case--and at the same time nobody came to call her,
important though the occasion was. She made a last effort to emancipate
herself before it was too late.
"Ring, please, Tom," she said; "I want to know if they have finished
upstairs. I am so sorry you are going away; but you know it is one of my
principles never to neglect my duty. I am sure they must be waiting for
me--if you would only be kind enough to ring."
"Lucilla," said Tom, "you know I would do anything in the world you
liked to tell me; but don't ask me to ring just now: I am going to leave
you, and there is something I must say to you, Lucilla," said the young
man, with agitation. Miss Marjoribanks was seated near the window, and
she had a moral certainty that if any of the Browns happened to be in
that ridiculous glass-house where they did their photography, they must
have a perfectly good view of her, with Tom in the background, who had
placed himself so as to shut her into the recess of the window. This,
coupled with the evidence of her senses that the workmen up stairs had
ceased their work, and that a slow footstep traversing the floor now and
then was all that was audible, drove Lucilla to despair.
Public-domain text, read in full here on John Shaqi.
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