Mitchelhurst Place: A Novel. Vol. 1 (of 2)Veley, Margaret
General
Mitchelhurst Place: A Novel. Vol. 1 (of 2)
Veley, Margaret
Fiction
"I wish Miss Strange would play for me at my entertainment at the
schools next week," said Mr. Pryor plaintively. "Won't you be persuaded,
Miss Strange?"
"I'll play for you now if you like," she answered, "but you know my
uncle won't let me play at the penny readings. And really it is no loss,
I am nothing of a musician."
The vicar sighed and looked across at Mr. Hayes. "I wish he would!" he
said. "Couldn't you persuade him? I can't get the programme arranged
properly."
"Why, haven't you got the usual people?"
"Yes, yes, I have got the usual people. But perhaps," said Mr. Pryor,
not unreasonably, "it would be as well to have something a little
different--a little new, you know. It is extremely kind of them, but
the audience, the back benches, don't you know?--Well, I suppose they
like variety."
Barbara looked gravely sympathetic.
"And it's rather awkward," Mr. Pryor continued, "young Dickson at the
mill has some engagement that evening, and won't be able to sing 'Simon
the Cellarer,' unless I put it the first thing."
"Why, he sings nothing else!" Miss Strange exclaimed.
"Yes, he _does_ know two other songs, I believe, but they are, in my
opinion, too broadly comic for such an entertainment as this. He hummed
a little bit of one in my study one evening, in a _very_ subdued manner,
of course, just to give me an idea. I saw at once that it would never
do. I stopped him directly, but I found myself singing the very
objectionable words about the parish for days. Not _aloud_, you know,
not _aloud_!"
Mr. Pryor looked sternly over the top of Miss Strange's head, and
pressed his lips so tightly together that she was quite sure he was
singing Mr. Harry Dickson's objectionable song to himself at that very
moment.
"But why shouldn't he sing 'Simon the Cellarer' at the beginning just as
well as at the end?" she questioned.
"Yes," said the vicar, "but there is my little reading, of course that
must come in early--my position as the clergyman of the parish, you see.
And I thought of something a little improving, a short reading out of a
volume of selections I happen to have, 'Simon the Cyrenian'."
"Why, you read that before," Barbara began, and then stopped and
coloured.
"Yes, yes," said Mr. Pryor, "I did, but I don't think they paid much
attention, the back benches were rather noisy that evening, and it is a
nice length, and seems very suitable. But the difficulty is how to keep
'Simon the Cellarer' and 'Simon the Cyrenian' apart on the programme. I
don't know how it is to be managed, I'm sure. I thought perhaps you
would play us something appropriate between the song and the reading.
I'm afraid some of the audience may smile."
Reynold took his arm from the chimney-piece. "Appropriate to both
Simons?" he inquired.
"Yes, just so, to both Simons. At least, not exactly that, but something
by way of a transition, I suppose."
"I wonder what that would be like," Barbara speculated. "I'm really very
sorry I can't help you, Mr. Pryor."
Public-domain text, read in full here on John Shaqi.
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