England -- Social life and customs -- 20th century -- Fiction; English fiction -- 20th century; Short stories, English
“Nobody you know,” said Mrs. Crowther. “And then we shall be married,
and I shan’t have to keep the men at the works off by pretending to be so
fond of my first. It’s taken a bit of doing. Let me think, now. You
want to see Ethel, I expect, don’t you?”
“I don’t want to see no one,” he declared with an emphatic gesture, “no
one on this side of the river ever again, so long as I jolly well live!”
XIV—THE REST CURE
“KNEW you’d like it, dear,” said Mr. Gleeson confidently. “I declared
the moment I saw the place, ‘Now this,’ I said to myself, ‘this will suit
the dear wife down to the ground.’ Just look at that bit over there.
(Wait a moment, driver.) Isn’t that simply—”
He gave a gesture which meant that the English language provided no
adequate words. His wife, with one hand upon his shoulder, offered an
“Ah!” of content.
“You must paint this,” he went on, recovering powers of speech. “You
must bring your easel and your white umbrella some morning when I’m busy,
and try to get this effect. See the top of the church spire above the
trees?”
“That there’s a oast house,” interrupted the driver.
“You will not forget that I shall have my duties in the village,” she
reminded him. “We are going to make life brighter, you know, for
everybody.”
“True!” he admitted. “It will require discretion.”
“And diplomacy.”
“Still, we’re not exactly amateurs. We bring something like a ripe
experience to the task. This will be child’s play after London. Think
of the difference in numbers. Driver, how many inhabitants are there in
Murford Green?”
“Can’t say as I ever counted ’em.”
“But speaking approximately.”
“Well,” said the driver, with deliberation, “speaking approximately, I
should say they was no better than they ought to be. And you’ll excuse
me, but I’ve got to get back to meet the five-eight, and if you and your
lady could give me what you may call permission to go on now without any
more pulling up, I shall jest do it. Otherwise I shan’t, and then Miss
Bulwer won’t let me never hear the last of it. That’s what she won’t!”
“Who is Miss Bulwer?”
“Look ’ere,” argued the driver, half turning in his seat. “I’ve answered
a pretty tidy number of questions sence we started from the railway
station, and I’m beginning to lose my voice, and I’m not far off from
losing my temper. But in reference to your question concerning, or
regarding, or affecting Miss Bulwer, my answer is, you’ll jolly soon find
out! Is that good enough for you, or isn’t it?”
“Merely a surface manner,” explained Mr. Gleeson, as the open fly
trundled on again. “You don’t know these people, my dear. A certain
veneer of brusqueness, but underneath that good pure gold. Simple
natures, I admit, but as honest and straightforward—Wonder,” dropping his
voice, “wonder how much he expects for this journey?”
“Pay him well,” suggested young Mrs. Gleeson, also in a whisper. “We
must make a good impression at the start. Say eighteen-pence.”
Public-domain text, read in full here on John Shaqi.
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