Modern Broods; Or, Developments Unlooked ForYonge, Charlotte M. (Charlotte Mary)
General
Modern Broods; Or, Developments Unlooked For
Yonge, Charlotte M. (Charlotte Mary)
Domestic fiction; England -- Social life and customs -- 19th century -- Fiction; English fiction
Vera blushed, and looked very pretty and modest, making not much answer
as she retreated among her contemporaries to show them her ring, a hoop
of pearls, which Wilfred insisted were Roman pearls, fishes’ eyes, most
appropriate; but Flapsy felt immeasurably older than Wilfred to-day, and
able to despise his teasing, though Hubert Delrio was not present, and
indeed Wilfred was not disposed to bestow much of his attention upon her,
having much more inclination to beset his cousin, Lady Phyllis, who
surely ought to perceive that he had attained at least the same height as
his brother Jasper, and could, in his absence, pose as the young man of
the household.
Phyllis had not much to say to him, nor after the first to Vera, though
she duly admired the ring so exultantly shown, and accepted the assurance
that Hubert was the dearest fellow in the world. But there was no
getting any condolence out of her upon the misery of having to wait four
whole years. She said, “It was a very good thing! There was her cousin
Gillian, who had insisted on waiting three years to finish her
education.”
“Oh, but dear Hubert likes me as I am,” simpered Vera.
“You might wish that he should find more in you to like. Gillian,” said
Phyllis, coming up to her and Agatha, “I want you to assure Vera that
four years is not such a great trial in waiting.”
“It is what I have been trying to persuade her,” said Agatha; “she is
hardly seventeen.”
“And I would not have been married at seventeen for anything,” said
Gillian to the pouting Vera. “I want to be more worth having.”
Vera did not like it, she had heard the like at home, and she fell back
upon Valetta, while the others walked on. “Poor little Flapsy!” said
Agatha, “I do hope this engagement may make more of a woman of her.”
“My father was very much struck by Mr. Delrio,” said Phyllis, “both as
artist and personally.”
“You must be glad of the time for putting her up to his level,” said
Gillian.
“Do you think such things are to be done?” asked Agatha.
“Yes,” said Phyllis stoutly. “You may not make her able to be a Senior
Wrangler—(Oh you are Oxford!)—or capable of it, like this Gillyflower;
but you can get the stuff into her that makes a sound sensible wife.”
Gillian caught a little hopeless sigh of “_can_,” and answered it with,
“When all this effervescence is blown off, then will be the time for
working at the substance, and she may be all the better wife—especially
for the artist temperament, if she is of the homely sort.”
“How angry she would be if she heard you say so!” returned Agatha. “Yet
certainly I do feel relieved that wifehood is to be my poor Flapsy’s
portion, for she is not of the sort that can stand alone and make her own
way.”
“There will always be plenty of such women in the world,” said Gillian.
“So much the better for the world,” retorted Phyllis, who had never shown
any symptoms of exclusive devotion to any one of the other sex, except
her father.
Public-domain text, read in full here on John Shaqi.
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