Modern Italian Poets; Essays and VersionsHowells, William Dean
History
Modern Italian Poets; Essays and Versions
Howells, William Dean
Italian poetry -- 18th century -- History and criticism; Italian poetry -- 19th century -- History and criticism
_Cly._ O wicked death!
_Pyl._ In Crete
All men lamented him, so potent in him
Were beauty, grace, and daring.
_Cly._ Nay, who would not
Lament him save this wretch alone? Dear son,
Must I then never, never see thee more?
O me! too well I see thee crossing now
The Stygian stream to clasp thy father's shade:
Both turn your frowning eyes askance on me,
Burning with dreadful wrath! Yea, it was I,
'T was I that slew you both. Infamous mother
And guilty wife!--Now art content, Aegisthus?
Aegisthus still doubts, and pursues the pretended messengers with such
insulting question that Orestes, goaded beyond endurance, betrays that
their character is assumed. They are seized and about to be led to
prison in chains, when Electra enters and in her anguish at the sight
exclaims, “Orestes led to die!” Then ensues a heroic scene, in which
each of the friends claims to be Orestes. At last Orestes shows the
dagger Electra has given him, and offers it to Clytemnestra, that
she may stab Aegisthus with the same weapon with which she killed
Agamemnon:
Whom then I would call mother. Take it; thou know'st how
To wield it; plunge it in Aegisthus' heart!
Leave me to die; I care not, if I see
My father avenged. I ask no other proof
Of thy maternal love from thee. Quick, now,
Strike! Oh, what is it that I see? Thou tremblest?
Thou growest pale? Thou weepest? From thy hand
The dagger falls? Thou lov'st Aegisthus, lov'st him
And art Orestes' mother? Madness! Go
And never let me look on thee again!
Aegisthus dooms Electra to the same death with Orestes and Pylades,
but on the way to prison the guards liberate them all, and the Argives
rise against the usurper with the beginning of the fifth act, which I
shall give entire, because I think it very characteristic of Alfieri,
and necessary to a conception of his vehement, if somewhat arid,
genius. I translate as heretofore almost line for line, and word for
word, keeping the Italian order as nearly as I can.
SCENE I.
AEGISTHUS _and Soldiers._
_Aeg._ O treachery unforseen! O madness! Freed,
Orestes freed? Now we shall see....
_Enter_ CLYTEMNESTRA.
_Cly._ Ah! turn
Backward thy steps.
_Aeg._ Ah, wretch, dost thou arm too
Against me?
_Cly._ I would save thee. Hearken to me,
I am no longer--
_Aeg._ Traitress--
_Cly._ Stay!
_Aeg._ Thou 'st promised
Haply to give me to that wretch alive?
_Cly._ To keep thee, save thee from him, I have sworn,
Though I should perish for thee! Ah, remain
And hide thee here in safety. I will be
Thy stay against his fury--
_Aeg._ Against his fury
My sword shall be my stay. Go, leave me!
I go--
_Cly._ Whither?
_Aeg._ To kill him!
Public-domain text, read in full here on John Shaqi.
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