We men, sometimes, in what we presume to be humility, compare ourselves
with leaves; but we have as yet no right to do so. The leaves may well
scorn the comparison. We who live for ourselves, and neither know how
to use nor keep the work of past time, may humbly learn,--as from the
ant, foresight,--from the leaf, reverence. The power of every great
people, as of every living tree, depends on its not effacing, but
confirming and concluding, the labors of its ancestors. Looking back to
the history of nations, we may date the beginning of their decline from
the moment when they ceased to be reverent in heart, and accumulative in
hand and brain; from the moment when the redundant fruit of age hid in
them the hollowness of heart, whence the simplicities of custom and
sinews of tradition had withered away. Had men but guarded the righteous
laws, and protected the precious works of their fathers, with half the
industry they have given to change and to ravage, they would not now
have been seeking vainly, in millennial visions and mechanic servitudes,
the accomplishment of the promise made to them so long ago: "As the days
of a tree are the days of my people, and mine elect shall long enjoy the
work of their hands; they shall not labor in vain, nor bring forth for
trouble; for they are the seed of the blessed of the Lord, and their
offspring with them."
§ 20. This lesson we have to take from the leaf's life. One more we may
receive from its death. If ever in autumn a pensiveness falls upon us as
the leaves drift by in their fading, may we not wisely look up in hope
to their mighty monuments? Behold how fair, how far prolonged, in arch
and aisle, the avenues of the valleys; the fringes of the hills! So
stately,--so eternal; the joy of man, the comfort of all living
creatures, the glory of the earth,--they are but the monuments of those
poor leaves that flit faintly past us to die. Let them not pass, without
our understanding their last counsel and example: that we also, careless
of monument by the grave, may build it in the world--monument by which
men may be taught to remember, not where we died, but where we lived.
FOOTNOTES:
[1] They are enlarged, partly in order to show the care and
minuteness of Turner's drawing on the smallest scale, partly to save
the reader the trouble of using a magnifying glass, partly because
this woodcut will print safely; while if I had facsimiled the fine
Turner etching, the block might have been spoiled after a hundred
impressions.
[2] Magnified to twice the size of the original, but otherwise
facsimiled from his own etching of Oedipus, and the School of Plato.
[3] The parrot perched on it is removed, which may be done without
altering the curve, as the bird is set where its weight would not
have bent the wood.
Public-domain text, read in full here on John Shaqi.
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