Poets, Spanish; Spanish poetry -- History and criticism; Spanish poetry -- Translations into English
Of all the modern Spanish poets, Iriarte seems to have obtained for his
writings the widest European reputation. He was born the 18th September
1750, at Teneriffe in the Canary Islands, where his family had been
some time settled, though the name shows it to have been of Basque
origin. His uncle, Juan de Iriarte, also a native of the same place,
was one of the most learned men of his age, and to him the subject
of this memoir was indebted for much of the knowledge he acquired,
and means of attaining the eminence in literature he succeeded him in
possessing. Juan de Iriarte had been partly educated in France, and
had afterwards resided some time in England, so as to acquire a full
knowledge of the language and literature of those countries. He was
also a proficient in classical learning, and wrote Latin with great
precision, as his writings, published by his nephew after his death,
evince; Madrid, two volumes, 4to. 1774. Having been appointed keeper of
the Royal Library at Madrid, he enriched it with many valuable works,
in upwards of 2000 MSS. and 10,000 volumes. He was an active member
of the Royal Spanish Academy, and one of the principal assistants
in compiling the valuable dictionary and grammar published by that
learned Society, as well as other works.
At the instance of this uncle, Tomas Iriarte went to Madrid in the
beginning of 1764, when not yet fourteen years of age, and under
that relative’s able guidance completed his studies, learning at the
same time the English and other modern languages. He was already far
advanced in a knowledge of classical literature, and it is stated that
some Latin verses he wrote, on leaving his native place, showed such
proficiency as to surprise his friends, and make them entertain great
expectations of his future success. Some of his Latin compositions,
published afterwards among his works, prove him to have been a scholar
of very considerable acquirements. Classical literature does not seem
in modern times to be much studied in Spain, and Iriarte is the only
distinguished writer among the modern Spanish poets who can be pointed
out as conspicuous for such attainments. Thus they have failed in
apprehending one of the chief beauties of modern poetry, so remarkable
in Milton and Byron, and our other great poets, who enrich their works
with references that remind us of what had most delighted us in those
of antiquity.
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