Modern Swedish Masterpieces: Short StoriesHeidenstam, Verner von
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Modern Swedish Masterpieces: Short Stories
Heidenstam, Verner von
Short stories, Swedish -- Translations into English; Swedish fiction -- Translations into English
“Did you see that gorgeous bird?” she asked, pointing to a blue-black
black-cock that roused the whole wood with his thunderous wing-beats.
“Him I call the Rich Bachelor of Vaxjö, for he asks neither after his
home or his relatives, but just sits at the tavern in his fine
dress-coat and smoothes his ruffles.”
“And just hark now!” she said one night when an owl hooted in the
ravine. “Him I call the Tax Collector, who, when he turns his head in
his white collar and rolls his red eyes or snaps his bill, frightens
both man and beast. But if it’s a question of the little white harmless
eggs in his own nest, then you’ll see. Then he has a father’s heart in
the right place.”
But about nothing did she know so many traditions as about the cranes.
“Never yet,” she said, “have I got to see the long-legged bald-headed
cranes when from their mossy retreats they set up their trumpeting and
hold their autumn assembly for taking flight. Round their camp they have
outposts that sit with a stone in their one uplifted claw, so that it
may tumble down and wake them if they fall asleep. But the most
wonderful thing is that then if any human being sees the ashen-gray
birds go up, he himself begins to flap with his arms and longs to be
able to fly with them, so high that the lakes below on the earth are
only like little shimmering water-drops.”
“I want to see the cranes,” answered Johannes.
“Perhaps you may get to see them in the autumn, but then you must first
teach yourself a great deal. First, you must be able to stand so quiet
that you look like a dry juniper bush, and to bend down so that you look
like a stone, and to lay yourself flat on the ground so that no one can
tell you from a pile of rotten twigs.”
“All that I shall try to teach myself, but you must never go on my
island. It isn’t the way you think there. I have a high fireplace and
hangings on the walls, and the floor between the rugs is so shining and
slippery that you can’t walk on it but have to crawl.”
The pretty stories he had read in the dean’s books ran in his memory,
and he wanted to show the girl that he was not inferior to her but could
in turn rouse her to wonder and curiosity.
“If you’ll let me get a sight of that house, I’ll go down to the
settlement and fetch you a musketoon with bullets and powder-horn.”
“To my island you’ll never come.”
“If you’ll let me get a sight of that house, I’ll teach you in five days
to feed yourself on ferns and roots and nothing.”
“That’s why I’ve come hither. Keep that promise, and you shall see my
house, if you can really get there.”
With that he fastened the skis on his feet and vanished in the mist on
the fen.
“The enemy stands on the shore,” he said to his imaginary soldiers on
the island, “but they have neither axe nor knife for making skis. We may
feel secure, if only we always remain upright and good.”
Public-domain text, read in full here on John Shaqi.
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