England -- Social life and customs -- 19th century -- Fiction; Love stories; Twins -- Fiction; Young women -- Fiction
"Aye, dearie, I knew Sheila McTavish well, for when I was a slip of a
girl I had a bad illness, and my mother's cousin, Effie Stuart, took me
back with her to the Highlands to bide with her for more than a year.
The McTavish cottage was next to ours, and not a day passed that I did
not see Sheila coming up from the loch-side with her creel, with her
bare feet and red petticoat, and maybe a plaid over her bonnie brown
hair. I was always a homely body, even in my young days, but never
before or since have I seen a lovelier face than Sheila McTavish, 'the
Flower of the Deeside'--that was what they called her."
"Was she engaged to McGill then?"
"Aye, my dearie. She had broken the sixpence with him, but he was away
in India then. I remember one day, as I sat on the churchyard wall,
Sheila came over the moor, and she had a sprig of white heather in her
hand. She held it up to me with a smile. 'It is good luck, Kezia,' she
said, and her eyes seemed full of brown sunshine, 'and this morning I
have heard from Fergus McGill himself, and it is he who is the guid lad
with his letters. He is coming home, he says, and then we are to be wed,
and it is the white heather that will bring us luck.' Ah, dearie, before
three weeks were over, Sheila, our sweet Flower of the Deeside, lay in
her coffin, and they put the white heather on her dead breast; and when
Fergus McGill came home there was only the grave under the rowan tree.
There, there, it is a queer world," finished Nurse Marks, "and there is
many a love-story left unfinished, for 'man' (and woman, too) 'is born
into trouble,' and I know that the women get the worst of it sometimes;
for it stands to reason," continued the old woman, garrulously, "that
they think a deal more of a love tale. Now, as we have finished tea,
shall I take you to your room, my dearie? It is called the Pansy Room,
and is close to mine. Miss Althea is a grand one for giving names. All
the bedrooms are called after flowers, to match the paper and cretonne.
There is the Rose Room and the Forget-me-not and the Pink Room, and the
Leafy Room, and the Marigold Room, where they put gentlemen."
"Which is Miss Althea's?" asked Waveney, quickly.
"Oh, the Rose Room. Miss Althea has a passion for roses. Miss Doreen
sleeps in the Forget-me-not Room; everything is blue there. The other
rooms are for their guests, but near the servants' quarters there are
two pretty little attics called 'Faith' and 'Charity,' where they put
shop-girls who have broken down and need a rest; and these are never
empty all the year round. There is a little sitting-room attached, where
they take their meals. There, they are crossing the tennis-lawn this
moment from the Porch House. The tall one is Laura Cairns; she has had
an operation and has only just left the hospital, and the little fat one
is Ellen Sturt; there is not much the matter with her except hard work
and too much standing."
Public-domain text, read in full here on John Shaqi.
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