“‘I am sending you the first ripe fruit from the orchard that I
planted at least ten years ago in this mountain soil. You must not
think it is a century plant I am tending. I gather flowers every day
that fully repay me for my labor here, but, alas, flowers do not
always come to fruit. Melissa Hathaway is without doubt one of the
most remarkable young women I have ever known, and has repaid me for
the infinite pains I have taken with her, and will repay every one
by being a success. She comes from surroundings that the people of
cities could hardly dream of, in spite of the slums that are, of
course, worse because of their crowded condition and lack of air.
But in these mountain cabins you find a desolation and ignorance
that is appalling, but at the same time a rectitude and intelligence
that astonish you; and unbounded hospitality.
“‘A generation ago the Hathaways were rather well-to-do, for the
mountains; that is, they owned a cow and some hogs and chickens and
did not sleep in the kitchen, but had a second room and some twenty
beautiful home-made quilts. A feud wiped almost the whole family off
the face of the earth. Melissa’s father, grandfather and three
uncles were killed in a raid by their mortal enemies, the Sydneys,
and the grandmother and Melissa were the only ones left to tell the
tale. (Her young mother died in giving birth to Melissa.) Melissa
was eight years old at the time of the wholesale tragedy, which
occurred a few days before I came here to take up my life work. I
went to old Mrs. Hathaway’s cabin as soon as I could make my way
across the mountain. The old woman received me with dignity and
reserve, but some suspicion. I asked her to let Melissa come to
school. She was rather eager for her to learn, since she was nothing
but a miserable girl. She was bitter on the subject of Melissa’s
sex. “Ter think of my bringing forth man-child after man-child, and
here in my old age not a thing but this puny little gal ter look to,
ter shoot down those dogs of Sydneys!”
Public-domain text, read in full here on John Shaqi.
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